John Mix Stanley

Born on January 17, 1814, at Canandaigua, New York, artist John Mix Stanley grew up in Naples and Buffalo, New York, and at fourteen was apprenticed to a carriage maker to paint signs and decorate sideboards. He was twenty when he moved to Detroit, Michigan, where he met itinerant artist James Bowman, who gave him lessons in portrait painting. Bowman and Stanley subsequently worked together in Detroit, Chicago, Baltimore, Philadelphia, and Troy, New York. In 1839 Stanley traveled to Fort Snelling, Minnesota, where he painted his first American Indian subjects.

In 1842 Stanley and Sumner Dickerman, a friend from Troy, visited Indian Territory. Arriving in the Three Forks area of present northeastern Oklahoma, Stanley set up a portrait studio at Fort Gibson. The following spring he moved to Tahlequah, where in June 1843 he attended a grand council of tribes called by Cherokee chief John Ross. That same year Stanley accompanied Cherokee agent Pierce M. Butler to a council of the Comanche, Seneca, and Delaware with representatives of the Republic of Texas near present Lawton, Oklahoma. Stanley may have made a second trip to the Texas border, as evidenced by several Comanche portraits dated 1844 and later exhibited in Washington. He also painted portraits of Ross family members at Bayou Menard and visited Creek settlements located on the North Canadian River.

Stanley left Indian Territory in 1845 to organize exhibitions of his work in several cities. In the West again in 1846, he joined a military expedition in Santa Fe under the command of Gen. Stephen W. Kearney and traveled from New Mexico to California as a draftsman with First Lt. William H. Emory's topographical corps. In San Diego Stanley prepared approximately forty botanical and landscape plates for Emory's report of the Kearney campaign. From California Stanley wandered northward into Oregon. In the spring of 1848 he sailed for the Hawaiian Islands. In 1850 he returned to New York and in 1852 exhibited a large collection of his Western paintings at the Smithsonian Institution in Washington, D.C.

In 1853 Stanley secured an appointment as expeditionary artist with Washington territorial governor Isaac Stevens's survey of a northern transcontinental railroad route to the Pacific Coast. Stanley returned from the Far West in 1854 to prepare the lithographic views that illustrated Stevens's reports. He married that same year and remained in Washington until 1863, when he moved back to Buffalo. In 1864 he settled permanently in Detroit. On January 24, 1865, all but five of the Stanley paintings then housed at the Smithsonian Institution were consumed by fire. A fire at Barnum's American Museum in New York City that same year, and another at Stanley's studio in Detroit in 1872, destroyed the greater part of his original Western collection. Stanley died at Detroit on April 10, 1872.

Among the paintings that escaped the Smithsonian fire was "Indian Council Convened by John Ross at Tah-le-quah," now included in the National Collection in Washington. Other works by Stanley are found principally at the Buffalo Historical Society, the Detroit Institute of Arts, the Gilcrease Museum in Tulsa, Oklahoma, and the Stark Museum of Art in Orange, Texas.

Source: http://digital.library.okstate.edu/encyclopedia/entries/S/ST014.html

From Wikipedia, the free encyclopedia:

John Mix Stanley (January 17, 1814 – April 10, 1872) was an American painter of landscapes, portraits and Native American life. He was born in Canandaigua, New York and orphaned at the age of 12. At age 14, Stanley became an apprentice to a coach maker. Looking for better work, he moved to west in 1832 and became a painter of signs and portraits. In spring 1843 Stanley accompanied the party of Indian agent Pierce M. Butler to the Tehuacana Creek Council. At the outbreak of the Mexican War in 1845, John Mix Stanley joined Colonel Stephen Watts Kearney's expedition to California and produced many sketches and paintings of the campaign. He traveled to Hawaii in 1848 and spent a year painting portraits of members of the royal family. He traveled across the Isthmus of Panama in 1853. He also painted Comanche warriors in their natural environment. He moved to Detroit in 1864 and remained there for the rest of his life. Stanley helped to found a forerunner of the Detroit Institute of Arts and to incorporate the National Gallery and School of Arts.

Stanley's primary interests and sympathies were with the Indians. The Smithsonian exhibited his pictures, but Congress never appropriated monies for them. More than 200 of his works were destroyed in the Smithsonian fire of 1865. The Amon Carter Museum (Fort Worth, Texas), the Arizona State University Art Museum (Tempe, Arizona, the Buffalo Bill Historical Center (Cody, Wyoming), the Corcoran Gallery of Art (Washington, D. C.), the Denver Art Museum, the Detroit Institute of Arts, Eiteljorg Museum of American Indians & Western Art (Indianapolis, Indiana), the Gilcrease Museum (Tulsa, Oklahoma), the Honolulu Academy of Arts, the Joslyn Art Museum (Omaha, Nebraska), the Metropolitan Museum of Art (New York City), the National Gallery of Art, (Washington, D. C.), the National Museum of Wildlife Art (Jackson Hole, Wyoming), the National Portrait Gallery (Washington, D. C.), the Phoenix Art Museum (Phoenix, Arizona), the Rockwell Museum of Western Art (Corning, New York), the Smithsonian American Art Museum (Washington, D. C.), the Stark Museum of Art (Orange, Texas), the University of Arizona Museum of Art (Tucson, Arizona), the Westervelt Warner Museum of American Art (Tuscaloosa, Alabama), the William L. Clements Library (University of Michigan, Ann Arbor, Michigan), the Worcester Art Museum (Worcester, Maine) and the Yale University Art Gallery (New Haven, Connecticut) are among the public collections holding works by John Mix Stanley.