Miloš Radojčić (1903 - 1975)

public profile

View Miloš Radojčić's complete profile:

  • See if you are related to Miloš Radojčić
  • Request to view Miloš Radojčić's family tree

Share

Related Projects

Birthdate:
Birthplace: Zemun, Central Serbia, Serbia
Death: Died
Managed by: Martin Eriksen
Last Updated:

About Miloš Radojčić

DIGITIZATION OF THE WORKS OF DR MILOŠ RADOJČIĆ http://elib.mi.sanu.ac.rs/files/journals/ncd/16/ncd16025.pdf

Abstract. We present the digitized works of dr Miloš Radojčić, professor at the University of Belgrade and corresponding member of the Serbian Academy of Science and Arts. These works have been digitalized at the Mathematical Institute of the Srebian Academy of Science and Arts and will be exhibited as a part of the virtual library of the National Center for Digitization. In the background of all of Radojčić’s scientific work was the teaching of anthroposophy, which led him to, at the time, most contemporary problems in mathematics and mathematical physics. 1. Introducation For a couple of years the virtual library of digitized mathematical papers related to our country is being developed under the auspice of the National Center for Digitization. This paper will present the digitized works of dr Miloš Radojčić (1903–1975), professor at the University of Belgrade and corresponding member of the Academy of Science and Arts. We have also pointed to the place dr Radojčić holds both in our and the world’s science. In the background of all of Radojčić’s scientific work was the teaching of anthroposophy and in it geometry. Anthroposophy led him to, at the time, most contemporary problems in mathematics and mathematical physics. The digitization of professor Radojčić’s works was done at the Mathematical Institute of the Serbian Academy of Sciences and Arts and will be exhibited as a part of the virtual library of the National Center for Digitization [13]. 2. Life and Scientific Work Miloš Radojčić belongs to the group of our scientists of which little has been and is written about. He passed unnoticed, almost invisible through our science, but only as a man – not as a scientist. His work, although still not fully evaluated, bears a mark of an ingenious personality with broad and well-founded interests ranging from mathematics and physics to philosophy, religion and art.

Based on some of his qualities, he would be one of those intellectuals between two 

wars, actually in the first phase of that period, who appreciated and nourished not only their field of study but also the general culture. That circle of people brought a new spirit to our milieu, the spirit that was later pushed out by narrow specialists. The broadness of the view made those people appreciate not only their own science but other values as well, and made them look at their own results with modesty, with more doubts about their real significance. This broadness is reflected in Radojčić as an artistic talent that he exhibited as he engaged in music as an amateur, in art almost as a professional, in poetry but also in philosophy and science, since everything he did was imbued with threads of an artistic soul, refined to the utmost sensitivity. 26 Miloš Milovanović

Radojčić was born in Zemun, on 31 August 1903. Four grades of, at the time, 

elementary school he completed in Zemun, where he also started gymnasium but only completed the first grade. During the First World War he received his education in France and Switzerland, where he completed the second through the sixth grade of gymnasium, and the seventh and the eighth grade along with the final examination he completed in 1921 in the town of his birth.

The same year he enrolls at the Department of Mechanical Engineering at the 

Technical Faculty in Gratz , but abandons it the next year, disappointed by the pragmatism of the instruction, that some professors emphasized in particular and with pride. His outstanding artistic soul, especially in fine arts, was looking for a profession imbued with art. For this reason he enrolls at the architecture at the Technical Faculty in Belgrade, but stays there for only one semester; because Radojčić perceived art as a road to knowledge, and he did not find that studying architecture. In 1923 he transfers to the Mathematical group at the Faculty of Philosophy in Belgrade where he graduated in 1925, since he was able to get credit for the work done while studying technique. In 1928 he got his PhD from the Faculty of Philosophy for the doctoral thesis “Analytical functions expressed in terms of convergent series of algebraic functions”.

Professor Radojčić’s scientific activity deals for the most part with the theory of 

analytical functions and can be classified into three thematic circles. The first one Radojčić himself defined as expressing general multiform analytical functions, on any type of their domain in terms of convergent series of algebraic functions. At the very beginning of his career, in his PhD thesis Radojčić gave his generalization of the well-known theorems of Weirstrass and Runge for the case of an analytical function on an arbitrary region of the corresponding Riemann’s surface. Radojčić added on this result and improved it on many levels in his thesis and in a series of later articles published before and during the war. The final form of the result, which among other things contains the theorem stating that any analytical function on any region of its Riemann’s surface can be uniformly approximated by a series of algebraic functions, can be considered as a maximum possible generalization of the above mentioned theorems of Weierstrass and Runge. It is important to say that those results of Radojčić represented for the long period of time the most important achievements in its field. It was only twenty years after the publishing of Radojčić’s thesis that the German mathematician Helene Florak produced the results comparable by the importance and difficulty to those of Radojčić; however, her result only nicely complement those of Radojčić and cannot be, by any means, considered their substitute.

The second thematic circle dealt with the problem of dividing Riemann’s surface into 

leaves, which was one of the basic problems of the geometric theory of functions during one period of its development. Radojčić proved many central theorems related to these complex problems and introduced a general approach to the process of dividing any Riemann’s surface into leaves for the case of unbounded Riemann’s surface, when it is possible to talk about such a division in the usual sense. According to the competent opinion of the German mathematician E. Urlich, those theorems achieved the maximum possible results within the realm of the applied method. These and other results, published for the most part in the journals of our Academy and University, did not receive the needed publicity, which in turn enabled the appropriate response of the international mathematical audience to the similar results obtained by almost identical method by Japanese mathematician Schimicu , who published his papers in the world known journal. Upon closer examination of those papers, however, one can form an impression that the priority should be on professor’s Radojčić side, both in time and essence. Both Radojčić and Shimizu used those theorems as a base for their Miloš Milovanović 27 further studies of automorphous functions. According to one of the major results of Radojčić, obtained during further investigations, every meromorphous function is in a certain sense automorphous.

The third group of his papers deals with geometrical and topological properties of 

analytical function in the vicinity of essential singularities, with the special consideration of, so called, problem of the type of the Riemann’s surface. This is about stating the criteria so that Riemann’s surface is of elliptical, parabolic or hyperbolic type. Here, among other things, Radojčić offered two variants of conditions sufficient for Riemann’s surface to be of parabolic or hyperbolic type.

All of these Radojčić’s papers belong to the geometric theory of analytical functions. 

In relations to this, he can be considered an independent pioneer of certain methodological concepts of the theory of analytical functions. Also, it can be said that certain geometrism, a subtle and fluid geometric spirit and thinking style, represents an important component and a deep dimension of both internal unity and continuity of professor Radojčić’s scientific work and his overall figure as a mathematician. Actually, this spirit represents that life-forming center, whose fertile and inspiring glow permeates all areas of his mathematical work, including his invaluable contributions to the introduction, establishment and design of all forms of contemporary instruction of geometry at the University of Belgrade.

In 1938, after being promoted to Assistant Professor at the Department of 

Mathematics of the Faculty of Philosophy, Radojčić, parallel to lecturing in the theory of analytical functions, took upon himself the task of establishing the first course of synthetic geometry, entitled Elementary geometry. In 1945, when the new curriculum was made, Radojčić proposed the introduction of two new geometric disciplines: descriptive and higher geometry. Such an ambitious plan could not be carried out that easily with an insufficient number of teachers. Radojčić took upon himself obligation to teach three geometric disciplines: descriptive, elementary and higher geometry.

The course Elementary geometry was not only the first systematic course of synthetic 

geometry, but also the first axiomatic course ever taught at the University of Belgrade. In his lectures, professor Radojčić started to develop a rigorous approach to defining concepts and proving theorems, an approach never previously applied at the University of Belgrade, that called for proving even the most obvious assertions not included in axioms. In a certain way, Radojčić presented in this course his own axiomatic approach to the Euclidean geometry. Being of the opinion that the deductive method was more evident when the number of starting concepts was minimum possible, his starting concepts were the point and relations between and congruent. Since he defined the line and the plane using the order of points, in Radojčić’s work axioms of order preceded axioms of belonging. In his book, based on this course, Elementary geometry, he pointed out that this approach was consistent with the using of set theory in building geometry, where the line and the plane are seen as sets of points, not as separate elements of space.

Radojčić’s work on axiomatically establishing the special theory of relativity is also of 

great importance for the deeper understanding of his relationship with geometry. He considered Einstein’s relativistic physics to be a return of geometry to the source of the experience of which it had descended long ago and the once again established lost link between physics and geometry; the link that showed that actually geometry was a branch of mathematical physics. In his discussions of geometry, he named this approach internal viewpoint, since it derived geometry from the immediate internal experience of physical reality, to which we also belong [5]. 28 Miloš Milovanović

In the list of Radojčić’s scientific works eight units are related to this area. The 

summary of his work in this area is presented in the monograph Une construction axiomatique de la théorie de l’espace-temps de la Relativité Restreinte, published in the Special editions of the Academy of Arts and Science in 1973. Since he published the first paper in 1933 and the final monograph in 1973, it is evident that his interest in the theory of relativity lasted for full forty years.

Axiomatic establishing of the space-time  continuum of the theory of relativity 

interested mathematicians since the beginnings of its existence. In the papers that followed, some authors accept for the most part already formed structures and apply them to the topic of their interest, resulting in a short paper and relatively small number of axioms. Radojčić, however, believes that the topic of such fundamental and elementary importance, such as kinematics of the theory of relativity, that in its way involves elementary geometry as well, deserves an independent and in the contemporary sense, elementary treatment. In this way, he starts with axioms that are, in their physical interpretation, closest possible to the noticeable facts, avoiding to use even the analogy with the axiomatic system of the elementary geometry.

Guided by his own language minimalism, Radojčić chooses for his basic concepts 

signals or flashes of light, named instantaneous events and points they originated from or can be seen at, named material points. Along with these two concepts, there are three basic relations: to happen, to be seen and before. The whole theory is based on five basic concepts and 27 axioms classified into nine groups. Radojčić derives Lorentz’s transformations for light-metric bodies as a logical consequence of basic geometric properties of the spread of the light. In this way, Lorentz’s transformations are totally independent from the physical experiment, to the point that they cannot be even overruled by the experiment. Experiments are required only to establish whether solid bodies, which provide on Earth the base for all measurements, even cosmical events, have properties of light-metric bodies. The affirmative answer to this question, stating that solid bodies are indeed systems of light-metric bodies, already lies in the fact that every spectral line measured in the matter of solid state of aggregation, has the constant wave length.

The work of professor Radojčić was neither the first nor the only breakthrough made 

by our scientists into the geometric kernel of the theory of relativity. Already in 1910, Vladimir Varićak, professor at the University of Zagreb, highly versed in non-Euclidean geometry, gave an interpretation of the special theory of relativity in the geometry of Lobachevski [12]. The following year, in 1911 he reaches a completely new understanding of the connection between those two areas of mathematics and proves that, just as the Newtonian kinematics is derived from the Euclidean geometry, so can the basic theorems of Einstein’s non-Newtonian kinematics be derived from the geometry of Lobachevski. The work of professor Radojčić, along with papers of Vladimir Varicak represented our rare contribution to this new science.

In 1959 professor Radojčić leaves the country. It is speculated that the reason lies in 

his inability to withstand the socio-political reality of the time he lived in, the reality that inundated also the University of Belgrade. He used the UN announcement about the scientific-technical aid to the undeveloped countries of Africa and Asia and from 1959 until 1964 worked as a professor at the University of Khartoum, Sudan. After that he made the final move to the National Center for Scientific Research in Paris, residing in a small town Thonon-les-Bains near the Swiss border. There he died on May 14 th , 1975.

With the exception of scientific papers and text books, everything that Miloš Radojčić

published appeared before the German occupation of Yugoslavia. Nevertheless, his Miloš Milovanović 29 unpublished documents still exist in Goetheanum 1 , in the Swiss town of Dornach, near Basel. Some tens of thousands of pages on cosmology, biology, philosophy, poetry, history, religion, literary interpretations and literary translations and studies and more all wait to be processed and, in a meaningful way, offered to readers. In his written legacy there are no papers related to mathematics [2]. 3. Teaching of Anthroposophy Anthroposophy is a mystic doctrine based on the teaching of Austrian philosopher, scientist and artist Rudolf Steiner. Steiner was originally the secretary general of the Theosophist society 2

for Germany, but he felt that the theosophist teaching was too much 

under the influence of Hinduism and Buddhism. Therefore, he felt a need to reveal a spiritual path in the authentic tradition of the West, an endeavor he carried on until his death. He was looking for a spiritual understanding of philosophy that enabled perceiving the world and the history of mankind as a consequence of the influence of higher forces – spiritual beings, which led the mankind step by step on the evolution ladder. During his life he wrote more than twenty books and gave great number of lectures, resulting in over 360 volumes of his collected works.

Professor Radojčić was an anthroposophist. In anthroposophy he saw the aspiration of 

his time to the conscious revival of the primordial spirit of life in the midst of all-devouring desert of the materialistic view of the world. In particular, he emhasized the aim of anthroposophy to conduct its research in a spirit that permeated the contemporary culture i.e. the scientific spirit. What is important for characterization of the spirit of contemporary culture is less the state of religion, even arts and more the state of the science. The force of that spirit was most completely realized in the contemporary physics and it is not a coincidence that the appearance of anthroposophy coincided with the rapid advances in physics at the beginning of the 20 th

century. This sets anthroposophy apart from both a 

dreamy utopism and non-critical acceptance of the given truths, both being an expression of a way a spirit is enslaved by a soul’s lower forms.

 Among numerous anthroposophist papers on various topics a special place holds the 

paper On our medieval painting’s magical world, published in installments in the magazine National defense in 1940. The text reveals a thinker of an extraordinary spiritual courage ready to guide the reader all the way to the frontier where individual consciousness touches horizons of all mankind and all times, by journeying deep inside himself in search for the secret of the time long gone. Without doubt, this text is one of the best studies of medieval painting ever written.

Over the centuries, not only do the external circumstances of life change, but also the 

world inside a man and that change is deeper and more dramatic than ever thought in our time. From one century to the other, not only do customs, beliefs and all that enters the soul from the outside change but also the soul’s abilities and spiritual powers. Thus, we are

                                          

1 Goetheanum in Dornach serves as a world center of Anthroposophist society and the main center of The School of the spiritual science. The building, based on the project by Rudolf Steiner, was erected between 1925 and 1928 and was named in honor of the famous German poet and precursor of the anthroposophist movement. 2

Theosophist society was founded in 1875 aiming to promote the thinking system developed in the papers of 

Helena Blavacka. Theosophy claims that all religions are attempts to assist the mankind in reaching the higher perfection by “spiritual hierarchy” and consequently, that every religion contains a part of the truth. Practically, this religious syncretism is mainly characterized by meditative techniques of India and Far East, through which it made a far-reaching impact on world culture by spreading them even in the countries they came from and where they were far from being widely used. 30 Miloš Milovanović separated from the Middle Ages by a very concrete spiritual gap, which prevents us from comprehending the medieval art in the contemporary cultural and civilization context. What roams around in the consciousness of today’s painter, ”problems” that preoccupy him, did not even exist in the soul of a medieval painter of ours and vice versa: what bothered a painter of that time during the sleepless nights, spent praying or lights of his vision that illuminated him throughout his earthly life, all that, naturally, does not exist for the contemporary painter. It has to be said: in spite of us standing today face to face with a new, powerful wave of spirituality, such a form of soul and spiritual life that once existed will never again provide a foundation of the art of painting; because mankind moves forward, through deaths and resurrections, and future spirituality will never be the same as the one that passed. While becoming absorbed in the mood that our old painting awakes, Radojčić notices the sentiment close to the feeling of an evening, a sunset, an evening twilight, even a night. Already with first impressions that our old paintings provoke, we are overcome by a feeling of twilight; perhaps not because paintings tarnished of the century long fume of wax candles and icon lamp, but because it is really twilight that is being painted. All that is happening, happens at twilight, even when the painter did not have the evening on his mind, but a day or a night. On those paintings there is no real day to be found: in every day there is a mysterious presence of night or an evening day. And night is not that dark, but filled with visions of one unearthly day. The answer to the question why is this, he finds in souls of painters of that time. While dealing with the general progress of the mankind, he points out that the ancient human consciousness bears high resemblance to the world of dreams. It was that the human soul was filled with sights that spoke instead of logical thoughts and that was one all-encompassing primordial clairvoyance. Spiritual depths or heights of the universe, reachable neither by senses nor plain thinking, were within reach of such clairvoyance. Over many a century that clairvoyance slowly faded and its innate place was overtaken by a freedom, which logical, critical thought brought along. Various ancient religious texts foresee this eclipse of clairvoyant powers and describe it as a night, through which the mankind would have to pass. It is that night that Radojčić recognizes as the appearance of materialism at the beginning of Modern times. Using this night as a point of reference, the late Middle Ages represents hours of an evening twilight. Those are the hours of the ancient clairvoyance’s twilight, in the last glistening of colors prior to total darkness. Radojčić then writes about one strange occurrence – days and nights befriend each other in the same painting, as it is often seen on our old frescoes. The Earth emits light from its strange rocks and objects on it and the sky is dark blue, like during the night. This is because old painters aspired not to paint the external world, but to pour the depths of their soul into paintings. The earthly world with its external light eclipses the splendor of the

view all

Miloš Radojčić's Timeline

1903
August 31, 1903
Zemun, Central Serbia, Serbia
1975
1975
Age 71