Sister Rosetta Tharpe

http://en.wikipedia.org/wiki/Rosetta_Tharpe

Rosetta Tharpe (March 20, 1915 – October 9, 1973) was a pioneering gospel singer, songwriter and recording artist who attained great popularity in the 1930s and 1940s with a unique mixture of spiritual lyrics and early rock and roll accompaniment. She became the first great recording star of gospel music in the late 1930s and also became known as the "original soul sister" of recorded music.

Willing to cross the line between sacred and secular by performing her inspirational music of 'light' in the 'darkness' of the nightclubs and concert halls with big bands behind her, her witty, idiosyncratic style also left a lasting mark on more conventional gospel artists, such as Ira Tucker, Sr., of the Dixie Hummingbirds. While she offended some conservative churchgoers with her forays into the world of pop music, she never left gospel music.

Childhood and early career

Sister Rosetta Tharpe was born on March 20, 1915 as Rosetta Nubin in Cotton Plant, Arkansas to Katie Bell Nubin and Willis Atkins, who were cotton pickers. However, researchers Bob Eagle and Eric LeBlanc give her birth name as Rosether Atkins (or Atkinson), her mother's name being Katie Harper.[12] Little is known of her father except that he was a singer. Tharpe's mother Katie was also a singer and a mandolin player, evangelist, and preacher for the Church of God in Christ (COGIC), which was founded in 1894 by Charles Harrison Mason, a black Pentecostal bishop, who encouraged rhythmic musical expression, dancing in praise and allowing women to sing and teach in church. Encouraged by her mother, Tharpe began singing and playing the guitar as Little Rosetta Nubin at the age of four and was cited as a musical prodigy.[1][13]

About 1921, at age six, Tharpe had joined her mother as a regular performer in a traveling evangelical troupe. Billed as a "singing and guitar playing miracle," she accompanied her mother in performances that were part sermon and part gospel concert before audiences across the American South.[13] In the mid-1920s, Tharpe and her mother settled in Chicago, Illinois, where they performed religious concerts at the COGIC church on 40th Street, occasionally traveling to perform at church conventions throughout the country. Tharpe developed considerable fame as a musical prodigy, standing out in an era when prominent black female guitarists were rare.[14] In 1934, at age 19, she married Thomas Thorpe, a COGIC preacher, who accompanied her and her mother on many of their tours. The marriage lasted only a few years, but she decided to adopt a version of her husband's surname as her stage name, Sister Rosetta Tharpe.[13] In 1938, she left her husband and moved with her mother to New York City. Although she married several times, she performed as Rosetta Tharpe for the rest of her life.

Career

On October 31, 1938, aged 23, Tharpe recorded for the first time – four sides for Decca Records backed by Lucky Millinder's jazz orchestra.[15] The first gospel songs recorded by Decca, "Rock Me", "That's All", "My Man and I" and "The Lonesome Road" were instant hits, establishing Tharpe as an overnight sensation and one of the first commercially successful gospel recording artists.[13] "Rock Me" influenced many rock-and-roll singers, such as Elvis Presley, Little Richard and Jerry Lee Lewis. In 1942, the music critic Maurie Orodenker, describing Tharpe's "Rock Me", wrote "It's Sister Rosetta Tharpe for the rock-and roll spiritual singing."[16]

She had signed a seven-year contract with Millinder. Her records caused an immediate furor: many churchgoers were shocked by the mixture of gospel-based lyrics and secular-sounding music, but secular audiences loved them. Tharpe played on several occasions with the white singing group the Jordanaires.[7]

Tharpe's appearances with Cab Calloway at Harlem's Cotton Club in October 1938 and in John Hammond's "Spirituals to Swing" concert at Carnegie Hall on December 23, 1938, gained her more fame, along with notoriety. Performing gospel music for secular nightclub audiences and alongside blues and jazz musicians and dancers was unusual, and in conservative religious circles a woman playing the guitar in such settings was frowned upon. Tharpe fell out of favor with segments of the gospel community.[13]

By 1943 she considered rebuilding a strictly gospel act, but she was contractually required to perform more worldly material.[17] Her nightclub performances, in which she would sometimes sing gospel songs amid scantily clad showgirls, caused her to be shunned by some in the gospel community.

During this time masculinity was directly linked to guitar skills. Tharpe was often offered the back-handed compliment that she could "play like a man", demonstrating her skills at guitar battles at the Apollo.[18]

Tharpe continued recording during World War II, one of only two gospel artists able to record V-discs for troops overseas.[1]

Her song "Strange Things Happening Every Day", recorded in 1944 with Sammy Price, Decca's house boogie woogie pianist, showcased her virtuosity as a guitarist and her witty lyrics and delivery. It was the first gospel song to appear on the Billboard magazine Harlem Hit Parade. This 1944 record has been called the first rock and roll record.[19] Tharpe toured throughout the 1940s, backed by various gospel quartets, including the Dixie Hummingbirds.

In 1946, Tharpe saw Marie Knight perform at a Mahalia Jackson concert in New York. Tharpe recognized a special talent in Knight. Two weeks later, Tharpe showed up at Knight's doorstep, inviting her to go on the road. They toured the gospel circuit for a number of years, during which they recorded hits such as "Up Above My Head" and "Gospel Train".[20] Though dismissed by both artists as gossip, several in the Gospel community speculated that Knight and Tharpe maintained a romantic and sexual relationship.[21]

Starting in 1949, their popularity took a sudden downturn. Mahalia Jackson was starting to eclipse Tharpe in popularity, and Knight harbored a desire to break free as a solo act into popular music. Furthermore, around this time, Knight lost her children and mother in a house-fire.[22] That same year, to commemorate Tharpe's first anniversary of being a homeowner in Richmond, Virginia, Tharpe put on a concert at what is now the Altria Theater. Supporting her for that concert were the Twilight Singers, whom Rosetta adopted as her background singers for future concerts, renaming them "The Rosettes."

Tharpe attracted 25,000 paying customers to her wedding to her manager, Russell Morrison (her third marriage), followed by a vocal performance at Griffith Stadium in Washington, D.C., in 1951. In 1956, Tharpe recorded an album with the gospel quartet The Harmonizing Four, titled Gospel Train. In 1957, Tharpe was booked for a month-long tour of the UK by British trombonist Chris Barber.

In April and May 1964, Tharpe toured Europe as part of the Blues and Gospel Caravan, alongside Muddy Waters & Otis Spann, Ransom Knowling & Little Willie Smith, Reverend Gary Davis, Cousin Joe, Sonny Terry and Brownie McGhee. Tharpe was introduced on stage and accompanied on piano by Cousin Joe Pleasant.[23] Under the auspices of George Wein, the Caravan was stage-managed by Joe Boyd.[24] A concert, in the rain, was recorded by Granada Television at the disused railway station at Wilbraham Road, Manchester, in May 1964. The band performed on one platform while the audience was seated on the opposite platform.

Later life and death

Tharpe's performances were curtailed by a stroke in 1970, after which one of her legs was amputated as a result of complications from diabetes.[25] On October 9, 1973, the eve of a scheduled recording session, she died in Philadelphia, Pennsylvania, as a result of another stroke. She was buried at Northwood Cemetery in Philadelphia.[26][27]

Musical influence

Tharpe's guitar style blended melody-driven urban blues with traditional folk arrangements and incorporated a pulsating swing that was a precursor of rock and roll.[13][28]

Little Richard referred to the stomping, shouting, gospel music performer as his favorite singer when he was a child. In 1947, she heard Richard sing before her concert at the Macon City Auditorium and later invited him on stage to sing with her; it was Richard's first public performance outside of the church. Following the show, she paid him for his performance, which inspired him to become a performer.[29] When Johnny Cash gave his induction speech at the Rock n Roll Hall of Fame, he referred to Tharpe as his favorite singer when he was a child. His daughter Rosanne Cash stated in an interview with Larry King that Tharpe was her father's favorite singer. Tharpe began recording with electric guitar in the 1940s, with "That's All", which has been cited as an influence on Chuck Berry and Elvis Presley.[13] Other musicians, including Aretha Franklin, Jerry Lee Lewis,[6] and Isaac Hayes, have identified her singing, guitar playing, and showmanship as an important influence on them. She was held in particularly high esteem by UK jazz/blues singer George Melly. Tina Turner credits Tharpe, along with Mahalia Jackson, as an early musical influence. Such diverse performers as Meat Loaf, Neil Sedaka and Karen Carpenter have attested to the influence of Tharpe in the rhythmic energy she emanated in her performances (Carpenter's drum fills are especially reminiscent of Tharpe's "Chorlton Chug").[30]

In 2018 singer Frank Turner wrote and performed the song "Sister Rosetta" about her influence and how she deserved to be in the Rock and Roll Hall of Fame. The single was released on July 3, 2019.[31]

Awards and honors

A resurgence of interest in Tharpe's work led to a biography, several NPR segments, scholarly articles, and honors. The United States Postal Service issued a 32-cent commemorative stamp to honor Tharpe on July 15, 1998.[32] In 2007, she was inducted posthumously into the Blues Hall of Fame. In 2008, a concert was held to raise funds for a marker for her grave, and January 11 was declared Sister Rosetta Tharpe Day in Pennsylvania.[33] A gravestone was put in place later that year,[34] and a Pennsylvania historical marker was approved for placement at her home in the Yorktown neighborhood of Philadelphia.[34]

In 2011 BBC Four aired a one-hour documentary, Sister Rosetta Tharpe: The Godmother of Rock & Roll, written and directed by UK filmmaker Mick Csaky. In 2013 the film was shown in the US as part of the PBS series American Masters.[35] The film has been repeated numerous times in the UK and US, most recently in March 2015 to mark the 100th anniversary of Tharpe's birth. On March 20, 2015, the UK newspaper The Guardian published a 100th-birthday tribute by Richard Williams.[36] On September 12, 2016, the musical play Marie And Rosetta, based on the relationship between Tharpe and Marie Knight, opened at the Atlantic Theater Company in New York.

On October 5, 2017, Tharpe was listed as a nominee for the 2018 Rock and Roll Hall of Fame Inductions. On December 13, 2017, she was elected to the Rock and Roll Hall of Fame as an Early Influence.[37]

Material loss

On June 25, 2019, The New York Times Magazine listed Sister Rosetta Tharpe among hundreds of artists whose material was destroyed in the 2008 Universal fire.[38]

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• Reference: Find A Grave Memorial - SmartCopy: May 1 2020, 7:00:16 UTC