Lenny Bruce

Leonard Alfred Schneider Hebrew: לאונרד אלפרד לני ברוס (שניידר)
Also Known As:	"Lenny Bruce"
Birthdate:	October 13, 1925
Birthplace:	Mineola, Nassau County, New York, United States
Death:	August 03, 1966 (40) Los Angeles, Los Angeles County, California, United States
Place of Burial:	Eden Memorial Park, Mission Hills, Los Angeles County, California, USA
Immediate Family:	Son of Myron (Meir Levy) Schneider and Sally Marr Ex-husband of Honey Harlow Father of Kitty Bruce
Occupation:	Satirist, Stand-up Comedian, Social Critic, Comedien

Managed by:	Private User
Last Updated:	April 30, 2022

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Immediate Family

Honey Harlow

ex-wife
Kitty Bruce

daughter
Myron (Meir Levy) Schneider

father
Sally Marr

mother
Dorothy Cohen

stepmother

About Lenny Bruce

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Leonard Alfred Schneider (October 13, 1925 – August 3, 1966), better known by his stage name Lenny Bruce, was an American stand-up comedian, social critic and satirist.

He was renowned for his open, free-style and critical form of comedy which integrated satire, politics, religion, sex, and vulgarity. His private life was marked by struggles with personal demons and efforts to prevent his wife from working as a stripper. His 1964 conviction in an obscenity trial was followed by a posthumous pardon, the first in New York State history, by then-Governor George Pataki in 2003. He paved the way for future outspoken counterculture-era comedians, and his trial for obscenity, in which – after being forced into bankruptcy – he was eventually pardoned, is seen as a landmark trial for freedom of speech in the US.[8][9][10][11]

Contents [show] Early life[edit] Lenny Bruce was born Leonard Alfred Schneider in Mineola, New York, grew up in nearby Bellmore, and attended Wellington C. Mepham High School.[12] His parents divorced when he was five years old (the documentary Lenny Bruce: Swear to Tell the Truth claims he was eight years old), and Lenny lived with various relatives over the next decade. His British-born father, Myron (Mickey) Schneider, was a shoe clerk and Lenny saw him very infrequently. The 1940 census shows Myron (34) and Dorothy (36) Schneider and son, Leonard (14), living on Long Island at 710 Hughes Street, Bellmore, New York. Mickey later moved to Arcadia, California and became a podiatrist. His mother, Sally Marr (real name Sadie Schneider, born Sadie Kitchenberg), was a stage performer and had an enormous influence on Bruce's career.[13]

After spending time working on a farm, Bruce joined the United States Navy at the age of 16 in 1942, and saw active duty during World War II aboard the USS Brooklyn (CL-40) fighting in Northern Africa, Palermo, Italy in 1943 and Anzio, Italy in 1944. In May 1945, after a comedic performance for his ship-mates in which he was dressed in drag, his commanding officers became upset. He defiantly convinced his ship's medical officer that he was experiencing homosexual urges.[14] This led to his Dishonorable Discharge in July 1945. However, he had not admitted to or been found guilty of any breach of naval regulations and successfully applied to have his discharge changed to "Under Honorable Conditions ... by reason of unsuitability for the naval service".[15]

After a short stint in California spent living with his father, Bruce settled in New York City, hoping to establish himself as a comedian. However, he found it difficult to differentiate himself from the thousands of other show business hopefuls who populated the city. One locale where they congregated was Hanson's, the diner where Bruce first met the comedian Joe Ancis, who had a profound influence on his approach to comedy. Many of Bruce's later routines reflected his meticulous schooling at the hands of Ancis.[16] According to Bruce's biographer, Albert Goldman, Ancis' humor involved stream-of-consciousness sexual fantasies, references to jazz, and stories of Jewish domesticity.

Lenny took the stage as "Lenny Marsalle" one evening at the Victory Club, as a stand-in master of ceremonies for one of his mother's shows. His ad-libs earned him some laughs. Soon afterward, in 1947, just after changing his last name to Bruce, he earned $12 and a free spaghetti dinner for his first stand-up performance in Brooklyn, New York.[citation needed] He was later a guest — and was introduced by his mother, who called herself "Sally Bruce" — on the Arthur Godfrey's Talent Scouts radio program, doing a "Bavarian mimic" of American movie stars (e.g., Humphrey Bogart, James Cagney, and Edward G. Robinson).[citation needed]

Career[edit] Bruce's early comedy career included writing the screenplays for Dance Hall Racket in 1953, which featured Bruce, his wife, Honey Harlow, and mother, Sally Marr, in roles; Dream Follies in 1954, a low-budget burlesque romp; and a children's film, The Rocket Man, in 1954. He also released four albums of original material on Berkeley-based Fantasy Records, with rants, comic routines, and satirical interviews on the themes that made him famous: jazz, moral philosophy, politics, patriotism, religion, law, race, abortion, drugs, the Ku Klux Klan, and Jewishness. These albums were later compiled and re-released as The Lenny Bruce Originals. Two later records were produced and sold by Bruce himself, including a 10-inch album of the 1961 San Francisco performances that started his legal troubles. Starting in the late 1950s, other unissued Bruce material was released by Alan Douglas, Frank Zappa and Phil Spector, as well as Fantasy. Bruce developed the complexity and tone of his material in Enrico Banducci's North Beach nightclub, "The hungry i," where Mort Sahl had earlier made a name for himself.

His growing fame led to appearances on the nationally televised Steve Allen Show, where he made his debut with an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "will Elizabeth Taylor become bat mitzvah?"[17] He also began receiving mainstream press, both favorable and derogatory. Syndicated Broadway columnist Hy Gardner called Bruce a "fad" and "a one-time-around freak attraction",[citation needed] while Variety declared him "undisciplined and unfunny".[citation needed] On February 3, 1961, in the midst of a severe blizzard, he gave a famous performance at Carnegie Hall in New York. It was recorded and later released as a three-disc set, titled The Carnegie Hall Concert. In the liner notes, Albert Goldman described it as follows:

This was the moment that an obscure yet rapidly rising young comedian named Lenny Bruce chose to give one of the greatest performances of his career. ... The performance contained in this album is that of a child of the jazz age. Lenny worshipped the gods of Spontaneity, Candor and Free Association. He fancied himself an oral jazzman. His ideal was to walk out there like Charlie Parker, take that mike in his hand like a horn and blow, blow, blow everything that came into his head just as it came into his head with nothing censored, nothing translated, nothing mediated, until he was pure mind, pure head sending out brainwaves like radio waves into the heads of every man and woman seated in that vast hall. Sending, sending, sending, he would finally reach a point of clairvoyance where he was no longer a performer but rather a medium transmitting messages that just came to him from out there — from recall, fantasy, prophecy.

A point at which, like the practitioners of automatic writing, his tongue would outrun his mind and he would be saying things he didn't plan to say, things that surprised, delighted him, cracked him up — as if he were a spectator at his own performance!

Personal life[edit] Bruce met his future wife, Honey Harlow, a stripper from Baltimore, Maryland, in 1951. They were married that same year, and Bruce was determined to have her end her work as a stripper.[18]

In 1953, Bruce and Harlow eventually left New York for the West Coast, where they got work as a double act at the Cup and Saucer in Los Angeles, California. Bruce then went on to join the bill at the club Strip City. Harlow found employment at the Colony Club, which was widely known to be the best burlesque club in Los Angeles at the time.[19]

In late 1954, Bruce left Strip City and found work within the San Fernando Valley at a variety of strip clubs. As the master of ceremonies, his job was to introduce the strippers while performing his own ever-evolving material. The clubs of the Valley provided the perfect environment for Bruce to create new routines: according to Bruce's primary biographer, Albert Goldman, it was "precisely at the moment when he sank to the bottom of the barrel and started working the places that were the lowest of the low" that he suddenly broke free of "all the restraints and inhibitions and disabilities that formerly had kept him just mediocre and began to blow with a spontaneous freedom and resourcefulness that resembled the style and inspiration of his new friends and admirers, the jazz musicians of the modernist school."[20]

Honey and Lenny's daughter Kitty Bruce was born in 1955.[21] He had an affair with the jazz singer Annie Ross in the late 1950s.[22] In 1959, Lenny's divorce from Honey was finalized.[23]

Legal troubles[edit]

Bruce arrested in 1961 This desire to end his wife's stripper days led Bruce to pursue schemes that were designed to make as much money as possible. The most notable was the Brother Mathias Foundation scam, which resulted in Bruce's arrest in Miami, Florida later that year for impersonating a priest. He had been soliciting donations for a leper colony in British Guiana (now Guyana) under the auspices of the "Brother Mathias Foundation", which he had legally chartered – the name was his own invention, but possibly referred to the actual Brother Matthias who had befriended Babe Ruth at the Baltimore orphanage to which Ruth had been confined as a child.[24] Bruce had stolen several priests' clergy shirts and a clerical collar while posing as a laundry man. He was found not guilty because of the legality of the New York state-chartered foundation, the actual existence of the Guiana leper colony, and the inability of the local clergy to expose him as an impostor. Later, in his semifictional autobiography How to Talk Dirty and Influence People, Bruce revealed that he had made about $8,000 in three weeks, sending $2,500 to the leper colony and keeping the rest.

On October 4, 1961, Bruce was arrested for obscenity[25] at the Jazz Workshop in San Francisco; he had used the word cocksucker and riffed that "to is a preposition, come is a verb", that the sexual context of come is so common that it bears no weight, and that if someone hearing it becomes upset, he "probably can't come".[26] Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under charges of obscenity.

Lenny Bruce in 1963, after being arrested in San Francisco Bruce was arrested again in 1961, in Philadelphia, for drug possession and again in Los Angeles, California, two years later. The Los Angeles arrest took place in then-unincorporated West Hollywood, and the arresting officer was a young deputy named Sherman Block, who would later become County Sheriff. The specification this time was that the comedian had used the word schmuck, an insulting Yiddish term that is an obscene term for penis.[27]

On December 5, 1962, he was arrested at the legendary Gate of Horn folk club in Chicago.[citation needed] The same year he played at Peter Cook's The Establishment Club in London, and a year later in April, he was barred from entering England by the Home Office as an "undesirable alien".[28]

In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village with undercover police detectives in the audience. He was arrested along with the club owners, Howard and Elly Solomon, who were arrested for allowing an obscene performance to take place. On both occasions, he was arrested after leaving the stage, the complaints again pertaining to his use of various obscenities.[citation needed]

A three-judge panel presided over his widely publicized six-month trial, prosecuted by Manhattan Assistant D.A. Richard Kuh, and Ephraim London and Martin Garbus as the defense attorneys. Bruce and club owner Howard Solomon were both found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from – among other artists, writers and educators – Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, and Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans.[29] Bruce was sentenced, on December 21, 1964, to four months in a workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon later saw his conviction overturned; Bruce, who died before the decision, never had his conviction stricken.[30] Bruce later received a full posthumous gubernatorial pardon.

Last years[edit] Question book-new.svg This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2010)

Poster for Lenny Bruce's last series performances, which took place at The Fillmore in San Francisco on June 24 and 25, 1966. Despite his prominence as a comedian, Bruce appeared on network television only six times in his life. In his later club performances Bruce was known for relating the details of his encounters with the police directly in his comedy routine. These performances often included rants about his court battles over obscenity charges, tirades against fascism and complaints that he was being denied his right to freedom of speech.

He was banned outright from several U.S. cities, and in 1962 was banned from performing in Sydney, Australia. At his first show there, Bruce took the stage, and declared "What a fucking wonderful audience" and was promptly arrested.

Increasing drug use also affected his health. By 1966 he had been blacklisted by nearly every nightclub in the United States, as owners feared prosecution for obscenity. Bruce did give a famous performance at the Berkeley Community Theatre in December 1965. It was recorded and became his last live album, titled "The Berkeley Concert"; his performance here has been described as lucid, clear and calm, and one of his best. His last performance took place on June 25, 1966, at The Fillmore Auditorium in San Francisco, on a bill with Frank Zappa and The Mothers of Invention. The performance was not remembered fondly by Bill Graham, who described Bruce as "whacked out on amphetamines"; Graham thought that Bruce finished his set emotionally disturbed. Zappa asked Bruce to sign his draft card, but the suspicious Bruce refused.

At the request of Hugh Hefner and with the aid of Paul Krassner, Bruce wrote an autobiography. Serialized in Playboy in 1964 and 1965, this material was later published as the book How to Talk Dirty and Influence People. Hefner had long assisted Bruce's career, featuring him in the television debut of Playboy's Penthouse in October 1959.

During this time, Bruce also contributed a number of articles to Paul Krassner's satirical magazine The Realist.

Death and posthumous pardon[edit] On August 3, 1966, a bearded Bruce was found dead in the bathroom of his Hollywood Hills home at 8825 W. Hollywood Blvd.[31] The official photo, taken at the scene, showed Bruce lying naked on the floor, a syringe and burned bottle cap nearby, along with various other narcotics paraphernalia. According to legend, a policeman at the scene said, "There is nothing sadder than an aging hipster", which itself was possibly one of Bruce's lines.[32] Record producer Phil Spector, a friend of Bruce's, bought the negatives of the photographs to keep them from the press. The official cause of death was "acute morphine poisoning caused by an accidental overdose."[33]

His remains were interred in Eden Memorial Park Cemetery in Mission Hills, California, but an unconventional memorial on August 21 was controversial enough to keep his name in the spotlight. The service saw over 500 people pay their respects, led by Spector. Cemetery officials had tried to block the ceremony after advertisements for the event encouraged attendees to bring box lunches and noisemakers. Dick Schaap eulogized Bruce in Playboy, with the memorable last line: "One last four-letter word for Lenny: Dead. At forty. That's obscene."

His epitaph reads: "Beloved father – devoted son/Peace at last."

Bruce is survived by his daughter, Kitty Bruce (born Brandy Kathleen Bruce), who lives in Pennsylvania.[34][35]

At the time of his death, his girlfriend was comedienne Lotus Weinstock.[36]

Bruce's grave On December 23, 2003, 37 years after his death, New York Governor George Pataki granted Bruce a posthumous pardon for his obscenity conviction.[37][38]

Legacy[edit] Bruce was the subject of the 1974 biographical film Lenny directed by Bob Fosse and starring Dustin Hoffman (in an Academy Award-nominated Best Actor role), and based on the Broadway stage play of the same name written by Julian Barry and starring Cliff Gorman in his 1972 Tony Award winning role.

The documentary Lenny Bruce: Swear to Tell the Truth, directed by Robert B. Weide and narrated by Robert De Niro, was released in 1998.

In 2004, Comedy Central listed Bruce at number three on its list of the 100 Greatest Stand-Ups of All-Time, placing above Woody Allen and below Richard Pryor and George Carlin.[39]

In popular culture[edit]

This article is in a list format that may be better presented using prose. You can help by converting this article to prose, if appropriate. Editing help is available. (February 2013) Bruce is pictured in the top row of the cover of the Beatles 1967 album Sgt. Pepper's Lonely Hearts Club Band[40] The clip of a news broadcast featured in "7 O'Clock News/Silent Night" by Simon & Garfunkel carries the ostensible newscast audio of Lenny Bruce's death. In another track on the album Parsley, Sage, Rosemary and Thyme, "A Simple Desultory Philippic (Or How I Was Robert MacNamara'd Into Submission)", Paul Simon sings, "... I learned the truth from Lenny Bruce, that all my wealth won't buy me health."[41][42] Tim Hardin's fourth album, released in 1968 Tim Hardin 3 Live in Concert, includes his song Lenny's Tune written about his friend Lenny Bruce.[43][44] Nico's 1967 album Chelsea Girl includes a track entitled "Eulogy to Lenny Bruce", which was "Lenny's Tune" by Tim Hardin, with the lyrics slightly altered. In it she describes her sorrow and anger at Bruce's death.[45][46] Bob Dylan's 1981 song "Lenny Bruce" from his Shot of Love album describes a brief taxi ride shared by the two men. In the last line of the song, Dylan recalls: "Lenny Bruce was bad, he was the brother that you never had."[47][48] Phil Ochs wrote a song eulogizing the late comedian, titled "Doesn't Lenny Live Here Anymore?". The song is featured on his 1969 album Rehearsals for Retirement. R.E.M.'s 1987 song "It's the End of the World as We Know It (And I Feel Fine)" includes references to a quartet of famous people all sharing the initials L.B. with Lenny Bruce being one of them (the others being Leonard Bernstein, Leonid Brezhnev and Lester Bangs). The opening line of the song mentioning Bruce goes, "...That's great, it starts with an earthquake, birds and snakes, an aeroplane, Lenny Bruce is not afraid."[49] Lenny Bruce shows up as a character in Don DeLillo's 1997 novel, Underworld. In the novel, Bruce does a stand-up routine about the Cuban Missile Crisis. Genesis' 1974 song "Fly On A Windshield" depicts a dystopic New York where "Lenny Bruce declares a truce and plays his other hand, Marshall McLuhan, casual viewin', head buried in the sand" and "Groucho, with his movies trailing, stands alone with his punchline failing". Emily Haines sings in Metric's (band) song "On The Sly" that, "for Halloween I want to be Lenny Bruce" The Stranglers' single "No More Heroes" includes the line "Whatever happened to dear old Lenny?" and although this does not specifically refer to Lenny Bruce, the live version featured on the album Live (X Cert) says "Whatever happened to dear old Lenny Bruce?" Lenny Bruce is listed as a bohemian idol in the song 'La Vie Bohème' from the musical Rent The British Rapper Scroobius Pip mentions Bruce in the "Introdiction" to the album Distraction Pieces: "If I say fuck a lot well then I may gain more attention. If I say cunt well then with some of you there will be tension. I find this interesting ´cause in the end these are just words You give them power when you cower man it´s so absurd. But all that was covered by Lenny Bruce back in the day. Nothings original now I´m repeating what I say." Joy Zipper's (band) 2005 album The Heartlight Set (album) features a track named "For Lenny's Own Pleasure." Books by or about Bruce[edit] Bruce, Lenny. Stamp Help Out! (Self-Published pamphlet, 1962) Bruce, Lenny. How to Talk Dirty and Influence People (Playboy Publishing, 1967) By others:

Barry, Julian. Lenny (play) (Grove Press, Inc. 1971) Bruce, Honey. Honey: The Life and Loves of Lenny's Shady Lady (Playboy Press, 1976, with Dana Benenson) Bruce, Kitty. The (almost) Unpublished Lenny Bruce (1984, Running Press) (includes a graphically spruced up reproduction of 'Stamp Help Out!') Cohen, John, ed., compiler. The Essential Lenny Bruce (Ballantine Books, 1967) Collins, Ronald and David Skover, The Trials of Lenny Bruce: The Fall & Rise of an American Icon (Sourcebooks, 2002)[50] DeLillo, Don. Underworld, (Simon and Schuster Inc., 1997) Denton, Bradley. The Calvin Coolidge Home For Dead Comedians, an award-winning collection of science fiction stories in which the title story has Lenny Bruce as one of the two protagonists. Goldman, Albert, with Lawrence Schiller. Ladies and Gentlemen—Lenny Bruce!! (Random House, 1974) Josepher, Brian. What the Psychic Saw (Sterlinghouse Publisher, 2005) Kofsky, Frank. Lenny Bruce: The Comedian as Social Critic & Secular Moralist (Monad Press, 1974) Kringas, Damian. Lenny Bruce: 13 Days In Sydney (Independence Jones Guerilla Press, Sydney, 2010) A study of Bruce's ill-fated September 1962 tour down under. Marciniak, Vwadek P., Politics, Humor and the Counterculture: Laughter in the Age of Decay (New York etc., Peter Lang, 2008). Smith, Valerie Kohler. Lenny (novelization based on the Barry-scripted/Fosse-directed film) (Grove Press, Inc., 1974) Thomas, William Karl. Lenny Bruce: The Making of a Prophet (first printing, Archon Books, 1989; second printing, Media Maestro, 2002; Japanese edition, DHC Corp. Tokyo, 2001) Filmography[edit] Year Title Role Notes 1953 Dance Hall Racket Vincent Directed by Phil Tucker 1960 The Cape Canaveral Monsters 1966 The Lenny Bruce Performance Film Himself includes animated short film Thank You Mask Man by John Magnuson Associates 1974 Lenny Biography starring Dustin Hoffman as Lenny Bruce Hoffman was Nominated — Academy Award for Best Actor, Nominated — BAFTA Award for Best Actor in a Leading Role, Nominated — Golden Globe Award for Best Actor – Motion Picture Drama

2011 Looking for Lenny Documentary featuring interviews with Mort Sahl, Phyllis Diller, Lewis Black, Richard Lewis, Sandra Bernhard, Jonathan Winters, Robert Klein, Shelley Berman and others North American Premiere Toronto Jewish Film Festival May 2011, Screened at Paris Beat Generation Days April 2011 Partial discography[edit] Year Title Notes 1958 Interviews of Our Times (features Henry Jacobs and Woody Leifer on two tracks) 1959 The Sick Humour of Lenny Bruce 1960 I Am Not a Nut, Elect Me! (Togetherness) 1961 American 1961 The Carnegie Hall Concert Recorded Feb. 4, 1961 (released 1967) 1961 Live at the Curran Theater Recorded Nov. 19, 1961 (released 1971) 1962 Live! Busted! Recorded Dec. 4, 1962 at Chicago Gate of Horn (released 1995) 1964 Lenny Bruce is Out Again Self-published live recordings from 1958-63 (followed by totally different 1965 version PHLP-4010, produced by Phil Spector) 1965 The Berkeley Concert Recorded Dec. 12, 1965 (released 1971, produced by John Judnich and Frank Zappa) 2004 Let the Buyer Beware 6CD compilation of previously unreleased material, produced by Hal Willner

About Lenny Bruce (עברית)

לני ברוס

''''''(נולד בשם לאונרד אלפרד שניידר; באנגלית: Leonard Alfred Schneider‏; 13 באוקטובר 1925 מיניאולה שבמדינת ניו יורק - 3 באוגוסט 1966 לוס אנג'לס) היה קומיקאי יהודי אמריקאי משפיע בשנות ה-40 ושנות ה-50, ואחד מאבות סוגת הסטנד אפ.

לני ברוס נחשב לקומיקאי סטנד אפ פורץ דרך בסוף שנות הארבעים והחמישים. עד לתקופה זו קומיקאים היו מספרים בדיחות "רגילות" ומופעיהם לא היו מושפעים כמעט מאקטואליה ונושאים חברתיים ולא היו "אינטראקטיביים".

מופעיו של ברוס התאפיינו בהפניית חצים סרקסטיים כלפי הממסד, הפרת טאבואים חברתיים ושפה "מלוכלכת". ידועה אמרה שלו שמופעו מבוסס על הרוע, הנדכאים, העוולות ואי הצדק בעולם, ואם עולם זה יום אחד יהפוך לצודק וטהור הוא יהיה מחוסר עבודה.

ביוגרפיה לני ברוס נולד ב-1925 במיניאולה שבמדינת ניו יורק, בשם לאונרד אלפרד שניידר, כבן היחיד למיירון (מיקי) שניידר, שנולד ב-1906 בלונדון שבבריטניה ועבד באותה תקופה כזבן בחנות נעליים, ולסאלי מאר, שנולדה ב-1906 בג'מייקה שברובע קווינס שבניו יורק בשם סיידי קיצ'נברג, ועבדה בעצמה כקומיקאית לצד עבודותיה כמלצרית וכעוזרת בית. כשהיה בן חמש התגרשו הוריו. אביו עבר להתגורר בארקדיה שבקליפורניה, שם הפך לרופא כף רגל (פודיאטור).

ב-1942, בגיל 16, התגייס ברוס אל הצי האמריקני, והעביר את שירותו הפעיל במסגרת מלחמת העולם השנייה בחזית הצפון אפריקאית ובחזית האיטלקית : בפלרמו ב-1943 ובאנציו ב-1944. במאי 1945, לאחר הופעה קומית שהעביר בפני חבריו לספינה כשהוא בלבוש דראג, מפקדיו נעשו כעוסים עליו. כאקט מתריס, שכנע לני את קצין הרפואה של ספינתו שהוא חווה "דחפים הומוסקסואליים", דבר שהוביל לשחרורו בקלון מהצבא (זאת בשל הנוהל שהונהג באותה תקופה בצבא ארצות הברית כלפי להט"בים, נוהל אשר סיווג אותם כבלתי מתאימים לשירות). עם זאת, הוא לא הודה או הורשע בהפרה כלשהי של התקנות הימיות של הצי האמריקאי, ועל כן הצליח לשנות את הגדרת שחרורו ל"שחרור בתנאים מכובדים... בשל אי התאמה לשירות ימי".

לאחר סיום שירותו העביר תקופה קצרה בקליפורניה שם התגורר עם אביו, ולאחר מכן התיישב בניו יורק תוך שאיפה לבסס את עצמו כקומיקאי. עם זאת, הוא התקשה לבדל את עצמו מאלפי אנשי בידור חובבים אחרים שאכלסו את העיר וניסו גם הם להגשים את חלומם ולהיכנס לעסקי השעשועים. רבים מאותם מועמדים פוטנציאליים לעסקי השעשועים התאספו בדיינר ספציפי בניו יורק, שם פגש ברוס לראשונה את הקומיקאי ג'ו אנסיס, שהשפיע עמוקות על הגישה של ברוס לקומדיה.

פריצתו הראשונה של ברוס בתור קומיקאי הייתה ב-1948, בתחרות כשרונות צעירים. זמן מועט אחר כך התחתן עם האני הארלו, רקדנית במופעי עירום, נישואיהם החזיקו מעמד עד שנת 1957. קורות חייו של ברוס מלאים במעצרים על שני אישומים מרכזיים: אחזקת סמים ושפה מלוכלכת. בשנות ה-50 לא היה נהוג שקומיקאי משתמש בקללות מעל במה. בנוסף הרגלו לצחוק על בעיות מוסריות (גזעניות, מגדריות, מתחים דתיים וכדומה) נתפס כלא פטריוטי בתקופה של אחרי מלחמת העולם השנייה. לרוב מתייחסים למעצריו על סמים (שבהם אכן החזיק) כניסיון של הממסד לעצור אותו מלהופיע בעקבות אי שביעות רצונם ממופעו.

מעצרו הראשון ב-29 בספטמבר 1961 היה על אחזקת חומרים נרקוטיים (אישום שהתבטל לאחר כמה זמן). ב-4 באוקטובר 1961 נעצר על שפה מלוכלכת במועדון הטרובדור בקליפורניה במה שהיה ידוע כ California Obscenity Code, הוא יצא זכאי במשפט זה לבסוף. בשלב זה מקומות רבים נרתעו מלארח אותו כדי להימנע ממהומות ומוניטין מפוקפק, בריטניה ואוסטרליה אסרו עליו להופיע, ובריטניה אף אסרה את כניסתו לתחומיה.

ב-6 באוקטובר 1962 נעצר ברוס שוב על שפה מלוכלכת ונשפט בסן פרנסיסקו במשפט שעד היום משמש כתקדים וכדוגמה לחופש הדיבור המעוגן בתיקון הראשון לחוקה. משפט זה (שזוכה בו) גרם לו לבסוף לפשיטת רגל. לאחר משפט זה, מופעיו הפסיקו להיות מערכונים ושנינויות אשר הכין מראש אלא יותר מופעים מאולתרים בהן היה יושב על כיסא ומדבר על ראיית עולמו הפוליטית, המוסרית, הגזעית והדתית. ידוע שהיה יושב לעיתים ומקריא עמודים שלמים מתוך עותקים של משפטיו השונים (על ניבול פה אך לא על סמים).

ברוס אמר לא פעם שיש קונספירציה בין בתי המשפט בניו יורק לבין בית המשפט בסן פרנסיסקו להרשעתו. הוא אף התלונן על כך ל-FBI אך לא נמצא דבר (ברוס טען שזה היה חיפוי). בתקופה זו הוא התמכר לסמים קשים (הרואין) ולבסוף מת ממנת יתר ב-3 באוגוסט 1966 בביתו בהוליווד בגיל 41.

ב-1967 הביטלס הביעו את הערכתם לברוס בצרפם את תמונתו לעטיפת אלבומם Sgt. Pepper's Lonely Hearts Club Band.

ב-1974 יצא סרט קולנוע בשם "לני" בבימויו של בוב פוסי ובכיכובו של דאסטין הופמן. הסרט, שצולם בשחור לבן, הוא ביוגרפיה על חייו של ברוס ובו מציג דאסטין הופמן את מיטב קטעיו כגון "whos'e a jew?"(אשר תורגם לאחר מכן על ידי יהונתן גפן למיהו יהודי), "dykes and faggotts" ,"tits and ass" ועוד. הסרט עובד למחזה והוצג בלונדון ב-1998 בכיכובו של אדי איזרד. ב-1983 כתב עליו בוב דילן שיר שקרוי על שמו (מתוך הדיסק shot of love).

לני ברוס נחשב לאחד הקומיקאים המצחיקים בכל הזמנים. הוא מוזכר כיום בעיקר כקדוש מעונה שהשפיע בעקיפין על החלת התיקון הראשון לחוקה האמריקאית, המעגן את הזכות של אזרחי ארצות הברית לחופש הדיבור.

קישורים חיצוניים מיזמי קרן ויקימדיה ויקיציטוט ציטוטים בוויקיציטוט: לני ברוס ויקישיתוף תמונות ומדיה בוויקישיתוף: לני ברוס Green globe.svg אתר האינטרנט הרשמי

של לני ברוס IMDB Logo 2016.svg לני ברוס , במסד הנתונים הקולנועיים IMDb (באנגלית) Allmovie Logo.png לני ברוס , באתר AllMovie (באנגלית) יונתן גת, לני ברוס: נסיך הצחוק והשפל , באתר ynet, 19 בפברואר 2012 קטע קול ערן סבאג, "חיים של אחרים" על לני ברוס ‏, 4 ביולי 2010 אושי דרמן, לני ברוס – אויב התקינות הפוליטית , בבלוג בית התפוצות, יוני 2018 לני ברוס , באתר "Find a Grave" (באנגלית) https://he.wikipedia.org/wiki/%D7%9C%D7%A0%D7%99_%D7%91%D7%A8%D7%95...

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