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About Edgar Degas
Edgar Degas (born July 19, 1834, Paris, France—died September 27, 1917, Paris) French painter, sculptor, and printmaker who was prominent in the Impressionist group and widely celebrated for his images of Parisian life. Degas's principal subject was the human—especially the female—figure, which he explored in works ranging from the sombre portraits of his early years to the studies of laundresses, cabaret singers, milliners, and prostitutes of his Impressionist period. Ballet dancers and women washing themselves would preoccupy him throughout his career. Degas was the only Impressionist to truly bridge the gap between traditional academic art and the radical movements of the early 20th century, a restless innovator who often set the pace for his younger colleagues. Acknowledged as one of the finest draftsmen of his age, Degas experimented with a wide variety of media, including oil, pastel, gouache, etching, lithography, monotype, wax modeling, and photography. In his last decades, both his subject matter and technique became simplified, resulting in a new art of vivid colour and expressive form, and in long sequences of closely linked compositions. Once marginalized as a “painter of dancers,” Degas is now counted among the most complex and innovative figures of his generation, credited with influencing Pablo Picasso, Henri Matisse, and many of the leading figurative artists of the 20th century.
TRIVIA: Closely related to inventor Norbert Rillieux, a Creole of color.
From Wikipedia 2007-09-28 http://en.wikipedia.org/wiki/Edgar_Degas
Edgar Degas (19 July 1834 – 27 September 1917), born Hilaire-Germain-Edgar Degas (IPA /ilɛʀ ʒɛʁmɛ̃ ɛdɡɑʀ dəɡɑ/), was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers. These display his mastery in the depiction of movement, as do his racecourse subjects and female nudes. His portraits are considered to be among the finest in the history of art.
Early in his career, his ambition was to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life