Milton Byron Babbitt

http://en.wikipedia.org/wiki/Milton_Babbitt

Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher. He is particularly noted for his serial and electronic music.

Babbitt was born in Philadelphia, Pennsylvania (Barkin & Brody 2001) to Albert E. Babbitt and Sarah Potamkin. He was Jewish (Anon. n.d.b). He was raised in Jackson, Mississippi, and began studying the violin when he was four but soon switched to clarinet and saxophone. Early in his life he was attracted to jazz and theater music. He was making his own arrangements of popular songs at seven, and when he was thirteen, he won a local songwriting contest (Kozinn 2011). Babbitt's father was a mathematician, and it was mathematics that Babbitt intended to study when he entered the University of Pennsylvania in 1931. However, he soon left and went to New York University instead, where he studied music with Philip James and Marion Bauer. There he became interested in the music of the composers of the Second Viennese School and went on to write a number of articles on twelve tone music, including the first description of combinatoriality and a serial "time-point" technique. After receiving his bachelor of arts degree from New York University College of Arts and Science in 1935 with Phi Beta Kappa honors, he studied under Roger Sessions, first privately and then later at Princeton University. At the university, he joined the music faculty in 1938 and received one of Princeton's first Master of Fine Arts degrees in 1942 (Barkin & Brody 2001). During the Second World War, Babbitt divided his time between mathematical research in Washington, D.C., and Princeton, where he became a member of the mathematics faculty from 1943 to 1945 (Barkin & Brody 2001). In 1948, Babbitt returned to Princeton University's music faculty and in 1973 became a member of the faculty at the Juilliard School in New York. Among his more notable former students are music theorists David Lewin and John Rahn, composers Donald Martino, Laura Karpman, Michael Dellaira, Tobias Picker, Paul Lansky, and John Melby, the theatre composer Stephen Sondheim, composer and pianist Frederic Rzewski, and the jazz guitarist and composer Stanley Jordan. In 1958, Babbitt achieved unsought notoriety through an article in the popular magazine High Fidelity (Babbitt 1958). Babbitt said his own title for the article was "The Composer as Specialist" (as it was later published several times, including in Babbitt 2003, 48–54), and "The editor, without my knowledge and—therefore—my consent or assent, replaced my title by the more 'provocative' one: 'Who Cares if You Listen?' a title which reflects little of the letter and nothing of the spirit of the article" (Babbitt 1991, 17). More than 30 years later, he commented that, "For all that the true source of that offensively vulgar title has been revealed many times, in many ways, even—eventually—by the offending journal itself", he was "still ... far more likely to be known as the author of 'Who Cares if You Listen?' than as the composer of music to which you may or may not care to listen" (Babbitt 1991, 17). Babbitt later became interested in electronic music. He was hired by RCA as consultant composer to work with their RCA Mark II Synthesizer at the Columbia-Princeton Electronic Music Center (known since 1996 as the Columbia University Computer Music Center), and in 1961 produced his Composition for Synthesizer. Babbitt was less interested in producing new timbres than in the rhythmic precision he could achieve using the Mark II synthesizer, a degree of precision previously unobtainable in live performances (Barkin & Brody 2001). Although he would eventually shift his focus away from electronic music, the genre that first gained for him public notice,[citation needed] by the 1980s, Babbitt wrote both electronic music and music for conventional musical instruments, often combining the two. Philomel (1964), for example, was written for soprano and a synthesized accompaniment (including the recorded and manipulated voice of Bethany Beardslee, for whom the piece was composed) stored on magnetic tape. From 1985 until his death he served as the Chairman of the BMI Student Composer Awards, the international competition for young classical composers. Milton Babbitt died in Princeton, New Jersey on January 29, 2011 at the age of 94 (Kozinn 2011; Anon. 2011b). Honors and awards[edit]

1965 – Member of the American Academy of Arts and Letters 1974 – Fellow of the American Academy of Arts and Sciences (Anon. 2011a) 1982 – Pulitzer Prize, Special Citation, "for his life's work as a distinguished and seminal American composer" (Columbia University 1991, 70; anon n.d.c) 1986 – MacArthur Fellow 1988 – Mississippi Institute of Arts and Letters Award for music composition. 2000 – National Patron of Delta Omicron, an international, professional music fraternity (Klafeta and Beckner 2009; Anon. 2000) 2010 – The Max Reger Foundation of America – Extraordinary Life Time Musical Achievement Award Articles[edit]

(1955). "Some Aspects of Twelve-Tone Composition". The Score and I.M.A. Magazine 12:53–61. (1958). "Who Cares if You Listen?". High Fidelity (February). [Babbitt called this article "The Composer as Specialist." The original title was changed without his knowledge or permission by an editor at High Fidelity.] (1960). "Twelve-Tone Invariants as Compositional Determinants," Musical Quarterly 46/2. (1961). "Set Structure as Compositional Determinant," Journal of Music Theory 5/1. (1965). "The Structure and Function of Musical Theory," College Music Symposium 5. (1972). "Contemporary Music Composition and Music Theory as Contemporary Intellectual History", Perspectives in Musicology: The Inaugural Lectures of the Ph. D. Program in Music at the City University of New York, edited by Barry S. Brook, Edward Downes, and Sherman Van Solkema, 270–307. New York: W. W. Norton. ISBN 0-393-02142-4. Reprinted, New York: Pendragon Press, 1985. ISBN 0-918728-50-9. (1987) Words About Music: The Madison Lectures, edited by Stephen Dembski and Joseph Straus. Madison: University of Wisconsin Press. (1992) "The Function of Set Structure in the Twelve-Tone System." PhD Dissertation. Princeton: Princeton University. (2003). The Collected Essays of Milton Babbitt, edited by Stephen Peles, Stephen Dembski, Andrew Mead, Joseph Straus. Princeton: Princeton University Press.