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Semyon Afanasievich Vengerov

Russian: Семен Афанасьевич Венгеров
Also Known As: "Semjon", "Semen Afanasjevitj Wengeroff"
Birthdate:
Birthplace: Lubny, Poltavs'ka oblast, Ukraine
Death: September 14, 1920 (65) (Дезинтерия)
Immediate Family:

Son of Chonon (Afansyi) Wengeroff and Pauline Iulievna Wengeroff
Husband of Раиса (Роза) Александровна Венгерова and Раиса (Роза) Александровна Vengerov
Father of Евгения Семеновна Vengerov; Алексей Семенович Vengerov; Всеволод Семенович Vengerov and Сергей Семенович Vengerov
Brother of Elizaveta Afanasevna Vilkina; Faina Słonimska Wengeroff; Zinaida Wengeroff; Isabelle Vengerova; Vladimir Wengeroff and 1 other

Occupation: An eminent Russian literary historian and critic, and professor at the University of St. Petersburg, Russia
Managed by: Randy Schoenberg
Last Updated:

About Simon Wengeroff

https://en.wikipedia.org/wiki/Semyon_Vengerov

Semyon Afanasievich Vengerov (Семён Афанасьевич Венгеров; 1855, Lubny, Poltava Governorate – 1920) was the preeminent literary historian of Imperial Russia. He was the pater familias of an artistic clan that included his sister Isabelle Vengerova, a co-founder of the Curtis Institute in Philadelphia, and nephew Nicolas Slonimsky, a Russian-American composer.

Vengerov studiously researched the careers of "second-tier" Russian authors of the 19th and (especially) 18th centuries. His materials proved indispensable for several generations of Russian literary historians. His archives contain the largest private collection of Dostoyevsky's letters and manuscripts.[1] He was a great admirer of Ivan Turgenev, the subject of his first major work of criticism (approved by Turgenev himself).

Vengerov also presided over an influential Pushkin seminar and the Russian Book Chamber (which he had helped found). In the early 20th century he issued a detailed overview of recent Russian literature and edited the grand Brockhaus-Efron edition of Pushkin's works (1907–16) in 6 large quarto volumes; D. S. Mirsky refers to this edition as "a monument of infinite industry and infinite bad taste".[2]

Vengerov's interest in academic biographism gained him a reputation of being a positivist compiler of biographical data. According to Mirsky, his works contain "a great mass of prefatory, commentatory, and biographical matter, most of which is more or less worthless".[2] In Noise of Time, Osip Mandelshtam claimed that Vengerov had "understood nothing in Russian literature and studied Pushkin as a professional task".[3]

For Vengerov, the greatest merit of Russian literature was its essential didacticism: "For the Russian reader, literature has always been a holy thing; contact with it makes him purer and better, and he always relates to it with a feeling of real religiosity".[4]

References[edit] Jump up ^ Sekirin, P. (1997). The Dostoevsky Archive: Firsthand Accounts of the Novelist from Contemporaries' Memoirs and Rare Periodicals, Most Translated Into English for the First Time, with a Detailed Lifetime Chronology and Annotated Bibliography. McFarland & Company. p. 354. ISBN 9780786402649. Retrieved 2015-03-27. ^ Jump up to: a b Smith, G.S. (2000). D.S. Mirsky: A Russian-English Life, 1890-1939. Oxford University Press. p. 47. ISBN 9780198160069. Retrieved 2015-03-27. Jump up ^ Stanislawski, M. (2004). Autobiographical Jews: Essays in Jewish Self-Fashioning. University of Washington Press. p. 80. ISBN 9780295984155. Retrieved 2015-03-27. Jump up ^ Todd, E.W.M. (1978). Literature and Society in Imperial Russia, 1800-1914. Stanford University Press. p. 112. ISBN 9780804766753. Retrieved 2015-03-27.

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