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  • Philipp Feibisch Veit (1793 - 1877)
  • Jonas (Johannes) Veit (1790 - 1854)
    Religion: konvertiert vom mosaischen Bekenntnis zur kathol. Kirche Johannes Veit (vor der Taufe 1810 Jonas Veit; * 2. März 1790 in Berlin; † 18. Januar 1854 in Rom) war ein deutscher Hist...
  • Albert Houthuesen (1903 - 1979)
    In 1976 the BBC broadcast Walk to the Moon - The Story of Albert Houthuesen, a film about Houthuesen's his life and work.[6] Souren Melikian, in a feature article on Houthuesen in the International Her...
  • Catherine Houthuesen (1905 - 1983)
    She taught art at University of London's St Gabriel's Training College[1] and became a lecturer in 1939, Senior Lecturer in 1945, and was made Principal Lecturer in 1956. She was known for her sensitiv...
  • Sir William Rothenstein (1872 - 1945)
    English painter, draughtsman and writer on art.

This project is designed to capture artists (painters) other than Contemporary Artists, New and Modern Masters, and Old Masters that are included in other projects:

Contemporary Artists

New and Modern Masters

Old Masters

Painting is the practice of applying paint, pigment, color or other medium to a surface (support base). The medium is commonly applied to the base with a brush but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term painting describes both the act and the result of the action. However, painting is also used outside of art as a common trade among craftsmen and builders. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects.

Painting is a mode of creative expression, and the forms are numerous. Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature.

A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other images of eastern religious origin.

this project is in HistoryLink