

A troubadour (Occitan pronunciation: [t%C9%BEu%CE%B2a%CB%88%C3%B0u%C9%BE], originally [t%C9%BEu%CE%B2a%CB%88%C3%B0o%C9%BE]) was a composer and performer of Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word "troubadour" is etymologically masculine, a female troubadour is usually called a trobairitz.
The troubadour school or tradition began in the 11th century in Occitania, but it subsequently spread into Italy, Spain, and even Greece. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his De vulgari eloquentia defined the troubadour lyric as fictio rethorica musicaque poita: rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and eventually died out around the time of the Black Death (1348).
The texts of troubadour songs deal mainly with themes of chivalry and courtly love. Most were metaphysical, intellectual, and formulaic. Many were humorous or vulgar satires. Works can be grouped into three styles: the trobar leu (light), trobar ric (rich), and trobar clus (closed). Likewise there were many genres, the most popular being the canso, but sirventes and tensos were especially popular in the post-classical period, in Italy, and among the female troubadours, the trobairitz.
See: Medieval Kingdoms of Western Europe
The elite troubadours included many famous and influential men of the Middle Ages. The most famous troubadours included:
Vida is the usual term for a brief prose biography, written in Occitan, of a troubadour or trobairitz.
The word vida means "life" in Occitan