Buck Jones

http://en.wikipedia.org/wiki/Buck_Jones

Buck Jones (December 12, 1891 – November 30, 1942) was an American motion picture star of the 1920s, 1930s, and 1940s, known for his work starring in many popular western movies. In his early film appearances, he was billed as Charles Jones.

Jones was born Charles Frederick Gebhart on the outskirts of Vincennes, Indiana, on December 12, 1891—some sources indicate December 4, 1889, but his marriage license and military records confirm the 1891 date.[2] In 1907 he joined the United States Army a month after his 16th birthday: his mother had signed a consent form that gave his age as 18. He was assigned to Troop G, 6th Cavalry Regiment, and was deployed to the Philippines in October 1907, where he served in combat and was wounded during the Moro Rebellion. Upon his return to the US in December 1909, he was honorably discharged at Fort McDowell, California.

Jones had an affection for race cars and the racing industry and became close friends with early driver Harry Stillman. Through his association with Stillman he began working extensively as a test driver for the Marmon Motor Car Company. Yet by October 1910 he had re-enlisted in the United States Army. Because he wanted to learn to fly, he requested a transfer to the Aeronautical Division, U.S. Signal Corps in 1913, without knowing that only an officer could become a pilot. He received his second honorable discharge from the Army in October 1913.

Following his military service he began working as a cowboy on the 101 Ranch near Bliss, Oklahoma. While attending equestrian shows he met Odille "Dell" Osborne, who rode horses professionally. The two became involved and married in 1915. Both had very little money, so the producers of a Wild West Show they were working on at the time offered to allow them to marry in an actual show performance, in public, which they accepted.

While in Los Angeles, and with his wife pregnant, Jones decided to leave the cowboy life behind and get a job in the film industry. He was hired by Universal Pictures for $5 per day as a bit player and stuntman. He later worked for Canyon Pictures, then Fox Film Corporation, eventually earning $40 per week as a stuntman. With Fox his salary increased to $150 per week, and company owner William Fox decided to use him as a backup to Tom Mix. This led to his first starring role, The Last Straw, released in 1920.

Stardom In 1925 Jones made three films with a very young Carole Lombard. He had more than 160 film credits to his name by this time and had joined Hoot Gibson, Tom Mix, and Ken Maynard as the top cowboy actors of the day. By 1928 he formed his own production company, but his independently-produced film The Big Hop (a non-Western) failed. He then organized a touring Wild West show, with himself as a featured attraction, but this expensive venture also failed due to the faltering economy of late 1929.

With the new talking pictures replacing silent films as a national pastime, outdoor Westerns fell out of favor briefly. The major studios weren't interested in hiring Buck Jones. He signed with Columbia Pictures, then just a lowly "B" picture studio, starring in Westerns for $300 a week, a fraction of his top salary in the silent-film days. His voice--a rugged baritone--recorded well and the films were very successful, re-establishing him as a major movie name. During the 1930s he starred in Western features and serials for Columbia and Universal Pictures.

His star waned in the late 1930s when singing cowboys became the rage and Jones, then in his late 40s, was uncomfortably cast in conventional leading-man roles. He rejoined Columbia in the fall of 1940, starring in the serial White Eagle (an expansion of his 1932 feature of the same name). The new serial was a hit and Jones was again re-established. His final series of Western features, co-produced by Jones and his friend Scott R. Dunlap of Monogram Pictures, featured The Rough Riders trio: Buck Jones, Tim McCoy, and Raymond Hatton.

In 1937 Jones starred in Hoofbeats, a 15-minute radio program syndicated via electrical transcription.[3] The program was produced in the studios of Recordings, Inc., with Grape Nuts Flakes as sponsor.[4]