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Historical records matching Ernest Shipman entrepreneur, film producer
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About Ernest Shipman entrepreneur, film producer
Ernest Shipman "Ten Percent Ernie"
by Joel H. Zemel ©1997-2009 http://www.svpproductions.com/ernestshipman2.html
Ernest Shipman was an entrepreneur, impresario and film producer in the early years of Canadian independent cinema. He compared the Canadian film industry to a "young giant" which had "no past to live down, no mistakes to apologize for." His most notable production was the 1919 silent film classic, Back To God's Country, from a short story by the popular American writer, John Oliver Curwood, starring his second wife, Nell Shipman. He went on to make six more features within three years.
For the most part, Shipman's choice of plots were about pioneering life and adventure in the Canadian north. He had a formula, "telling the truth in motion pictures" he called it. He would find a Canadian story, raise money for its production as a film in the locale in which it was set and excite community participation in the production. He would then promote "in kind" assistance in the form of locations, facilities and personnel. The lead actors and technicians were imported from the U.S., though they were often Canadian-born.
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Ernest Shipman (and friend) with writer, Ralph Connor
As noted in David Clandfield's book, Canadian Film, "He attempted independent production in Canada with an appeal to national sentiment and regional pride. His films elevated the status of location shooting from local colour to the integration of natural scenery and local history into the action."
Ernest Shipman was born on December 17, 1871 in Hull, Quebec, the eldest of four brothers. He was educated at Ryerson School in Toronto where he became interested in promotion and publicity. At twenty-six he was running the Canadian Entertainment Bureau in Toronto and soon after became the president and general manager of the Amalgamated Amusement Company with offices on Broadway in New York.
His marriage to his first wife, actress Rosalie Knott, ended in 1910 when he met Helen Foster Barham later known as Nell Shipman. Nell was looking for work with the George Baker stock company and Ernest in his capacity as manager, was the interviewer. She was eighteen - he was thirty-nine. She got the job and they were later married in 1911. they had a son, Barry, in 1912 and the marriage lasted until 1920.
They moved to southern California in 1912, where a bankrupt Ernest persuaded a retired army officer to back his first motion picture, The Ball of Yarn, written by Nell. Apparently, it was so bad, it was never shown. Next, he produced One Hundred Years of Mormonism while Nell wrote scripts, directed three movies for Universal in 1914 and played the lead in all of them. In 1915, she played the lead in her first wildlife adventure film based on a James Oliver Curwood story, God's Country and the Woman, which made her a star in Hollywood.
Ernest was establishing himself as a publicist and agent but was edging into promoting productions. Based on the idea of a 1912 company he started called the Five Continents Exchange, he decided to buy film rights to established novels, promote their production and organize the publicity for the completed films.
By 1916, Ernest was representing several independent producers, had leased a film laboratory and studio which advertised "Pictures financed, bought, sold and exploited." He was handling fifty-two pictures a year and acting in an advisory capacity in connection with the actual manufacture of some of the pictures.
In an agreement signed and dated November 1, 1918, Ernest made his best deal to date. James Oliver Curwood agreed to give exclusive film rights to his stories to Nell Shipman for two years while she agreed to star in films based exclusively on his stories. Ernest was co-signatory. The first film was based on Wapi the Walrus, an outdoors melodrama set in the Canadian north with Nell as the lead protagonist. Ernest went to Calgary, Alberta to raise the money. Canadian Photoplays Ltd. was incorporated on February 7, 1919 and filming began later that year. Nell wrote the screenplay which was retitled Back To God's Country.
Despite enormous hardships such as the frigid temperatures, the loss of the Australian lead actor, Ronald William Byram, to pneumonia and grueling living conditions, the film finished production in May after having moved from Lesser Slave Lake in Alberta to southern California. In September 1919, Associated First National released the picture to rave reviews. Ernest's promotional campaign was extensive. It relied heavily on Nell's very brief nude scene which was evident in the advertised drawings and slogans. The film made a 300% profit on its initial investment of $67,000 and was shown all over the world.
For the next four years, Ernest travelled across Canada attempting to repeat the success of Back To God's Country. Nell and Ernest were separated and subsequently divorced in 1920. Curwood broke his contract possibly because of Nell's changing to his original story to accommodate her screenplay. The next two films by Curwood's company, Nomads of the North (1920) and The Golden Snare (1921) were sold and publicized by Ernest, but the financially successful Canadian Photoplays went into voluntary liquidation.
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Poster for "Glengarry School Days" Ernest moved his operation to New York and then began filming the novels of Ralph Connor (a.k.a. Charles W. Gordon). The first was The Foreigner later retitled God's Crucible (1921) and Cameron of the Royal Mounted (1922). Both were supposed to be released by First National which according to Ernest had committed to the deal but this was not so.
The production company, Winnipeg Productions, also lost out because of false claims by Ernest there would be advance distribution rental payments. However, the films were released and accepted fairly well by critics and moviegoers alike. The next three films were The Rapids, shot in Ontario and New York. The Man From Glengarry and Glengarry School Days, later retitled The Critical Age, were received with mixed reviews.
Blue Water, from a story by Halifax writer, Frederick William Wallace, was to be shot in St. John, New Brunswick in October, 1922 for $99,000. Norma Shearer, in her first film, was to play the lead. the production was besieged by problems, mostly weather, causing delays and ultimately, defections. David Hartford, the director, completed the film in Florida in 1923 but it never had a theatrical release. The St. John investors lost all their cash. Although the film was shown in the Maritimes a year later to good reviews, it was put into a vault in New York and there it stayed.
Finally, with independent producers being squeezed out on both sides of the border by giant American interests that gained control of film distribution markets, Ernest Shipman's Canadian adventure was over. He travelled the world from Morocco to Long Island and then to Florida, hoping to repeat his earlier success but it was not to be. He promoted a prizefighter, an aspiring young actress in England and became a journalist for the Exhibitor's Trade Review. Two years later, he became very ill from cirrhosis of the liver and died on August 7, 1931 at the age of fifty-nine.
With the passing of Ernest Shipman, the age of Canadian independent filmmaking was truly over.
QUOTE:
Ernest Shipman: "With me, the making of pictures in Canada first appealed as a business, then it became a hobby, now I might fairly say it is a religion. I welcome the opportunity of addressing myself to the Canadian Clubs, believing that I find here a perfect understanding from a movement founded for the purpose of quickening a Canadian national consciousness - the spirit which now finds expression not only in a new distinctive note in Canadian literature, but in a demand for Canadian-made motion pictures as real and free and wholesome as is Canadian life at its best."
- March 1923 - Address to the Canadian Club in London, Ontario.
Sources:
Embattled Shadows - A History of Canadian Cinema 1895 - 1939 by Peter Morris - McGill-Queen's University Press.
Canadian Film by David Clandsfield - Oxford Press.
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Хронология Ernest Shipman entrepreneur, film producer
| 1871 |
16 декабря 1871
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Hull, Gatineau, Communauté-Urbaine-de-l'Outaouais, Québec, Canada (Канада)
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| 1912 |
24 февраля 1912
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Pasadena , Loa Angles, CA
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| 1931 |
8 августа 1931
Возраст 59
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New York, New York, United States (США)
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