Juan Ramón Jiménez Mantecón, Nobel Prize in Literature, 1956

Juan Ramón Jiménez Mantecón (24 December 1881 – 29 May 1958) was a Spanish poet, a prolific writer who received the Nobel Prize in Literature in 1956, "for his lyrical poetry, which in Spanish language constitutes an example of high spirit and artistical purity". One of Jiménez's most important contributions to modern poetry was his advocacy of the French concept of "pure poetry."

Biography

Jiménez was born in Moguer, near Huelva, in Andalucia, on 24 December 1881. He studied law at the University of Seville, but he declined to put this training to use. He published his first two books at the age of eighteen, in 1900. The death of his father the same year devastated him, and a resulting depression led to his being sent first to France, where he had an affair with his doctor's wife, and then to a sanatorium in Madrid staffed by novitiate nuns, where he lived from 1901 to 1903. In 1911 and 1912, he wrote many erotic poems depicting romps with numerous females in numerous locales. Some of them alluded to sex with novitiates who were nurses. Eventually, apparently, their mother superior discovered the activity and expelled him, although it will probably never be known for certain whether the depictions of sex with novitiates were truth or fantasy.

The main subjects of many of his other poems were music and color, which, at times, he compared to love or lust.

He celebrated his home region in his prose poem about a writer and his donkey called Platero y Yo (1914). In 1916 he and Zenobia got married in the United States. Zenobia became his indispensable companion and collaborator.

Upon the outbreak of the Spanish Civil War, he and Zenobia went into exile in Cuba, the United States, and Puerto Rico, where he settled in 1946. Jiménez was hospitalized for eight months due to another deep depression. He later became a Professor of Spanish Language and Literature at the University of Maryland, College Park. The university later named a building on campus and a living-and-learning writing program in his honor. He was also a professor at the University of Miami, in Coral Gables, Florida. While living in Coral Gables he wrote: "Romances de Coral Gables".

In 1956, he received the Nobel Prize in Literature; three days later, his wife died of ovarian cancer. Jiménez never got over this loss, and he died two years afterwards, on 29 May 1958, in the same clinic where his wife had died. Both of them are buried in Spain.

Legacy

Although he was primarily a poet, Jiménez' prose work Platero y yo (1917; "Platero and I") sold well in Latin America, and in translation won him popularity in the USA. He also collaborated with his wife in the translation of the Irish playwright John Millington Synge's Riders to the Sea (1920). His poetic output during his life was immense. Among his better known works are Sonetos espirituales 1914–1916 (1916; “Spiritual Sonnets, 1914–15”), Piedra y cielo (1919; “Stones and Sky”), Poesía, en verso, 1917–1923 (1923), Poesía en prosa y verso (1932; “Poetry in Prose and Verse”), Voces de mi copla (1945; “Voices of My Song”), and Animal de fondo (1947; “Animal at Bottom”). A collection of 300 poems (1903–53) in English translation by Eloise Roach was published in 1962.

His literary influence on Puerto Rican writers strongly marks the works of Giannina Braschi, René Marqués, and Manuel Ramos Otero. The library at the main campus of the University of Puerto Rico in Río Piedras features the "Sala Juan Ramón y Zenobia", a collection of many of Jiménez's personal belongings and personal library, as well as his wife's.

A quotation from Jiménez, "If they give you ruled paper, write the other way", is the epigraph to Ray Bradbury's novel Fahrenheit 451.

The name of Juan Ramón Jiménez is familiar to students at the University of Maryland, the language building of which is named for the poet.

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Juan Ramón Jiménez Mantecón (23 December 1881 – 29 May 1958) was a Spanish poet, a prolific writer who received the Nobel Prize in Literature in 1956. One of Jiménez's most important contributions to modern poetry was his advocacy of the French concept of "pure poetry."

Biography

Jiménez was born in Moguer, near Huelva, in Andalucia, on 23 December 1881. He studied law at the University of Seville, but he declined to put this training to use. He published his first two books at the age of eighteen, in 1900. The death of his father the same year devastated him, and a resulting depression led to his being sent first to France, where he had an affair with his doctor's wife, and then to a sanatorium in Madrid staffed by novitiate nuns, where he lived from 1901 to 1903. In 1911 and 1912, he wrote many erotic poems depicting romps with numerous females in numerous locales. Some of them alluded to sex with novitiates who were nurses. Eventually, apparently, their mother superior discovered the activity and expelled him, although it will probably never be known for certain whether the depictions of sex with novitiates were truth or fantasy.

The main subjects of many of his other poems were music and color, which, at times, he compared to love or lust.

He celebrated his home region in his prose poem about a writer and his donkey called Platero y Yo (1914). In 1916 he and Zenobia got married in the United States. Zenobia became his indispensable companion and collaborator.

Upon the outbreak of the Spanish Civil War, he and Zenobia went into exile in Cuba, the United States, and Puerto Rico, where he settled in 1946. Jiménez was hospitalized for eight months due to another deep depression. He later became a Professor of Spanish Language and Literature at the University of Maryland, College Park. The university later named a building on campus and a living-and-learning writing program in his honor. He was also a professor at the University of Miami, in Coral Gables, Florida. While living in Coral Gables he wrote: "Romances de Coral Gables".

In 1956, he received the Nobel Prize in Literature; three days later, his wife died of ovarian cancer. Jiménez never got over this loss, and he died two years afterwards, on 29 May 1958, in the same clinic where his wife had died. Both of them are buried in Spain.

Legacy

Although he was primarily a poet, Jiménez' prose work Platero y yo (1917; "Platero and I") sold well in Latin America, and in translation won him popularity in the USA. He also collaborated with his wife in the translation of the Irish playwright John Millington Synge's Riders to the Sea (1920). His poetic output during his life was immense. Among his better known works are Sonetos espirituales 1914–1916 (1916; “Spiritual Sonnets, 1914–15”), Piedra y cielo (1919; “Stones and Sky”), Poesía, en verso, 1917–1923 (1923), Poesía en prosa y verso (1932; “Poetry in Prose and Verse”), Voces de mi copla (1945; “Voices of My Song”), and Animal de fondo (1947; “Animal at Bottom”). A collection of 300 poems (1903–53) in English translation by Eloise Roach was published in 1962.

His literary influence on Puerto Rican writers strongly marks the works of Giannina Braschi, René Marqués, and Manuel Ramos Otero. The library at the main campus of the University of Puerto Rico in Río Piedras features the "Sala Juan Ramón y Zenobia", a collection of many of Jiménez's personal belongings and personal library, as well as his wife's.

A quotation from Jiménez, "If they give you ruled paper, write the other way", is the epigraph to Ray Bradbury's novel Fahrenheit 451.

The name of Juan Ramón Jiménez is familiar to students at the University of Maryland, the language building of which is named for the poet.

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Juan Ramón Jiménez (1881-1958) belonged to the group of writers who, in the wake of Spain's loss of her colonies to the United States (1898), staged a literary revival. The leader of this group of modernistas, as they called themselves, Rubén Darío, helped Juan Ramón to publish Almas de violeta (Souls of Violet), 1900, his first volume of poetry. The years between 1905 to 1912 Ramón Jiménez spent at his birthplace, Moguer, where he wrote Elejías puras (Pure Elegies), 1908, La soledad sonora (Sonorous Solitude), 1911, and Poemas mágicos y dolientes (Magic Poems of Sorrow), 1911. His early poetry was influenced by German Romanticism and French Symbolism. It is strongly visual and dominated by the colours yellow and green. His later style, decisive, formally ascetic, and dominated by white, emerges in the poetic prose of his delicate Platero y yo (Platero and I), 1914, and is fully developed in Diario de un poeta recién casado (Diary of a Newly-Wed Poet), 1917, written during a trip to the United States, as well as in Eternidades (Eternities), 1918, Piedra y cielo (Stone and Sky), 1919, Poesía (Poetry), 1923, and Belleza (Beauty), 1923. In the twenties, Ramón Jiménez became the acknowledged master of the new generation of poets. He was active as a critic as well as an editor of literary journals. In 1930 he retired to Seville to devote himself to the revision of his earlier work. Six years later, as the result of the Spanish Civil War, he left Spain for Puerto Rico and Cuba. He remained in Cuba for three years and, in 1939, went to the United States, which became his residence until 1951, when he moved definitely to Puerto Rico. During these years Juan Ramón taught at various universities and published Españoles de tres mundos (Spaniards of Three Worlds), 1942, a book of prose portraits, and several collections of poems, among them Voces de mi copla (Voices of My Song), 1945, and Animal de fondo (Animal of Depth). The latter book, perhaps his best, clearly reveals the religious preoccupations that filled the last years of the poet's life. Selections from most of his works were published in English translation in Selected Writings of Juan Ramón Jiménez and Three Hundred Poems, 1903-1953. Ramón Jiménez died in Puerto Rico in 1958.