Alfred Kerr

25 December 1867 – 12 October 1948), born Alfred Kempner, was an influential German-Jewish theatre critic and essayist, nicknamed the Kulturpapst ("Culture Pope").

Kerr was born into a prosperous family in Breslau, Silesia, taking the surname Kerr in 1887, and making the change officially in 1909. He studied literature in Berlin with Erich Schmidt. He subsequently was a reviewer for numerous newspapers and magazines. With the publisher Paul Cassirer he founded the artistic review Pan in 1910.

Kerr was noted for his treatment of drama criticism as another branch of literary criticism. As his fame grew he engaged in polemics, with the critics Maximilian Harden, Herbert Ihering and Karl Kraus in particular. In the 1920s he was hostile to Bertolt Brecht, and assailed him with accusations of plagiarism.

In 1933 Kerr, his wife, Julia, and his children fled Germany for France via Czechoslovakia and Switzerland. They moved on to London in 1935. These years of exile were described, from a child's perspective, by Kerr's daughter in her books When Hitler Stole Pink Rabbit and The Other Way Round. His books were amongst those burnt in May 1933 by the Nazis when they came to power; Kerr had attacked the Nazi Party publicly, and he had already gone into exile with his family. After visiting Prague, Vienna, Switzerland, and France, he came to London in 1935 where he settled, in penury. He was a founder of the Freier Deutschen Kulturbund, and worked for the German PEN club. An old feud with Karl Kraus worked against him at the BBC. Kerr took British citizenship in 1947. In 1948 he visited Hamburg at the start of a planned tour of several German cities but suffered a stroke, and then decided to end his own life (overdose of veronal procured for him by his wife). [1] The Alfred-Kerr-Preis für Literaturkritik was established in 1977. After the publication of Wo liegt Berlin in 1997 (a bestseller) his works are more widely read in Germany and an edition is in progress.

His son Michael Kerr was a prominent British lawyer. His daughter Judith Kerr wrote a three-volume autobiography and the children's book The Tiger Who Came To Tea; the writer Matthew Kneale is her son with Nigel Kneale, the writer of Quatermass scripts

Memorial plaque in Berlin-Grunewald Godwi. Ein Kapitel deutscher Romantik (1898). Dissertation on Clemens Brentano. Das neue Drama (1905) Die Harfe (1917) poems Ich sage, was zu sagen ist: Theaterkritiken 1893-1919. Werke Band VII, 1. Wo liegt Berlin 1895-1900 (1997) Warum fließt der Rhein nicht durch Berlin? Briefe eines europäischen Flaneurs. 1895 bis 1900 New York und London, travel O Spanien!, travel Caprichos (1926) poems Buch der Freundschaft (1928) children's literature So liegt der Fall Theaterkritiken 1919 - 1933 und im Exil Der Dichter und die Meerschweinchen: Clemens Tecks letztes Experiment Diktatur des Hausknechts Walther Rathenau. Erinnerungen eines Freundes Gruss an Tiere (1955) with Gerhard F. Hering Theaterkritiken (1971) selected criticism Ich kam nach England (1979) diary Mit Schleuder und Harfe (1982) Wo liegt Berlin? Briefe aus der Reichshauptstadt (1997) Alfred Kerr, Lesebuch zu Leben und Werk (1999) Mein Berlin (2002) Sucher und Selige. Literarische Ermittungen Werke Band IV, (2009)

When Hitler Stole Pink Rabbit (1971) Judith Kerr United States Holocaust Memorial Museum - Alfred Kerr German Writers in French Exile, 1933-1940, by Martin Mauthner (London: 2007), ISBN 9780853035404.

Alfred Kerr Die Biographie Rowohlt Reinbek, Deborah Judith Vietor-Englander 2016 720 pp also Alfred Kerr Was ist der Mensch in Berlin, Deborah Judith Vietor-Englander, Aufbau Verlag Belrin 2017 377pp

Alfred Kerr (* 25. Dezember 1867 in Breslau; † 12. Oktober 1948 in Hamburg) war ein deutscher Schriftsteller, Theaterkritiker und Journalist. Sein Geburtsname war Alfred Kempner. Seit 1887 benutzte er in seinen Publikationen den Namen Kerr, 1909 erfolgte die offizielle Namensänderung in Alfred Kerr.

Kerr war einer der einflussreichsten deutschen Kritiker in der Zeit vom Naturalismus bis 1933. Er veröffentlichte unter anderem in den Zeitungen und Zeitschriften Breslauer Zeitung, Der Tag, Neue Rundschau, Pan und Berliner Tageblatt. Kerr sah in der Kritik eine eigene Kunstform und schuf dafür einen treffenden, geistreich-ironischen und oft absichtlich saloppen Stil.

https://de.wikipedia.org/wiki/Alfred_Kerr