Khorshid Banu (Natavan) Natavan Javanshir

Azerbaijani and Persian-language poet best known for her relationship-themed ghazals. She is widely regarded as one of the most important lyrical poets in Azerbaijani history. She raised and popularized the Karabakh breed of horses. She and Mirza Babayev were two of the most famous Azerbaijani poets (active in the nineteenth and twentieth centuries, respectively). Before becoming a respected poet, she worked as a philanthropist and social reformer. She was the only child of Mehdigulu Khan; Khan was the final ruler of the Karabakh Khanate.

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Khurshidbanu Natavan (Azerbaijani: Xurşidbanu Natəvan, born 6 August 1832, Shusha – 2 October 1897, Shusha) is considered one of the best lyrical poets of Azerbaijan[1] whose poems are in Persian and Azerbaijani. Daughter of Mehdigulu Khan, the last ruler of the Karabakh khanate (1748–1822), Natavan was most notable for her lyrical ghazals. Natavan was born on August 6, 1832 in Shusha, a town in present-day Nagorno-Karabakh. Being the only child in the family and descending from Panah Ali Khan, she was the only heir of the Karabakh khan, known to general public as the "daughter of the khan" (Azerbaijani: xan qızı). Her name Khurshid Banu (خورشیدبانو) is from Persian and means "Lady Sun". Her nom de plume Natavan (ناتوان) is also from Persian and means powerless.[2]

After her father's death, Natavan was closely engaged in philanthropy, promoting the social and cultural development of Karabakh. Among her famous deeds was a water main that was first laid down in Shusha in 1883, thus solving the water problem of the townsfolk. The local Russian "Kavkaz" newspaper wrote at the time: "Khurshud Banu-Begum left an eternal mark in the memories of the Shushavians and her glory will pass on from generation to generation".[3] The springs built by Natavan from famous Shusha white stones were called by the townsfolks "Natavan springs" and were also considered historical monuments under protection.

Natavan also did a lot for the development and popularization of the famous breed of Karabakh horses. Karabakh horses from Natavan's stud were known as the best in Azerbaijan. In an international show in Paris in 1867 a Karabakh horse named Khan from Natavan's stud received a silver medal. In a second All-Russian exhibition in 1869 the Karabakh horse named Meymun won a silver medal, another stallion, Tokmak, won a bronze medal, while the third, Alyetmez, received a certificate and was made a producer stallion in Russian Imperial stud.

Natavan also founded and sponsored the first literary societies in Shusha and in the whole of Azerbaijan. One of them called Majlis-i Uns ("Society of Friends")[1] became especially popular and concentrated major poetic-intellectual forces of Karabakh of that time.[4]

Humanism, kindness, friendship and love were the main themes of Natavan's ghazals and ruba'yat. These sentimental romantic poems express the feelings and sufferings of a woman who was not happy in her family life and who lost her son. Many of these poems are used in folk songs nowadays.

Natavan died in 1897 in Shusha. As a sign of respect, people carried her coffin on their shoulders all the way from Shusha to Agdam, some 30 km north-east, where she was buried in a family vault.

Her sons Mehdigulu Khan and Mir Hasan Ağa Mir both left a collection of poems in Persian.

http://kumukia.ru/article-9165

According to the Azerbaijani archive data, I knew that the Karabakh know did not approve of the marriage the daughter of Khan by the king's general, besides Kumyk, seeing it as a sign of reverence for the king's reign, and on this occasion dispensed sarcastic jokes, even were composed lampoons, so that in the end , their marriage fell apart, and the children stayed with their father. Natavan remarried for Azerbaijani poet, and because Hasan Khan line once consigned to oblivion, and if they remembered the casual and indistinct, so that Moscow lives the great-grandson Natavan Mehdi Hasaevich and Baku - the great-granddaughter Natavan Leyla Aliyeva Hasaevna many years in charge of the library Conservatory in Baku, no one knew, until I stirred up and roused the Azerbaijani society, and this proud, and then began to appear articles about him, an interview with him, he entered the biographical books and t. d.