William Robert Mayer

https://en.m.wikipedia.org/wiki/William_Mayer

William Mayer (November 18, 1925 - November 16, 2017) was an American composer, best known for his prize-winning opera A Death in the Family.[1] (NY Times gives death on Nov 17).

Mayer was born in New York City, the son of Dorothy (née Ehrich) and John C. Mayer. He entered Yale University in 1944, but his college years were interrupted by military service (he served as a counter-intelligence agent in US-occupied Japan). Upon his discharge he re-entered Yale and graduated in 1949, then trained at the Juilliard School and the Mannes College of Music, studying with Roger Sessions and Felix Salzer, and later with Otto Luening, Emanuel Balaban and Izler Solomon.

The composer has written three stage works in addition to his prize-winning A Death in the Family, and a variety of orchestral, chamber, choral and vocal works. John Rockwell of The New York Times points out that Mayer is "especially known for his operas and songs ... his work sings out with real beauty, both in the vocal writing and the instrumental settings."

Distinguished artists have introduced his scores: Robert De Cormier led the New York Choral Society in its Lincoln Center premiere of "Spring Came on Forever"; sopranos Heidi Grant Murphy, Eleanor Steber and Christine Brewer have all premiered vocal-chamber works; and Leopold Stokowski (at eighty-eight) conducted Mayer's piano concerto Octagon at Carnegie Hall with William Masselos as soloist.

Mayer taught composition and orchestration at Boston University; was a guest lecturer at Yale, Columbia, the Pratt Institute and the Juilliard School; fulfilled writing and cultural assignments from the US Information Agency, one of which involved preparing lectures on American chamber opera to be delivered abroad; served on judging panels for the MacDowell Colony, the American Composers Orchestra, Composers Recordings, Inc., the National Opera Association and the National Federation of Music Clubs; and was Composer-in-Residence at the Conductors' Institute and Adirondack New Music Festival.

Mayer is the author of a provocative feature for The New York Times entitled "Live Composers, Dead Audiences".[2]