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Signature taken from https://www.familysearch.org/ark:/61903/3:1:3QS7-89LK-J3R7 Original file: https://ibb.co/Sf0Txwv or https://imgbox.com/iuABIa0g or https://pixhost.to/show/881/470077868_francisco-periquet-y-adriansen-s-signature.jpg Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Francisco_Periquet_y_Adriansen%27s_signature.svg The author died in 1895, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Photo from https://www.facebook.com/limbagangpinpinmuseum/posts/2565947173516478

Photo from The Cablenews-American (18 June 1916, p. 6): https://gpa.eastview.com/crl/sea/newspapers/cana19160618-01.1.5 Original file: https://ibb.co/2ndhRFj or https://imgbox.com/2HBgVdAB or https://pixhost.to/show/1163/448708881_conrado-lerma.jpg Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Conrado_Lerma.jpg This work was first published in the Philippines and is now in the public domain because its copyright protection has expired by virtue of the Intellectual Property Code of the Philippines. The work meets one of the following criteria: It is an anonymous or pseudonymous work and 50 years have passed since the year of its publication It is an audiovisual or photographic work and 50 years have passed since the year of its publication It is a work of applied art and 25 years have passed since the year of its publication It is another kind of work, and 50 years have passed since the year of death of the author (or last-surviving author) Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Philippine origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the Philippines, the URAA took effect on January 1, 1996.) This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Photo from The Malolos Congress (p. 38): https://archive.org/details/TheMalolosCongress/page/n38/mode/2up Original file: The Malolos Congress_0038 This work was first published in the Philippines and is now in the public domain because its copyright protection has expired by virtue of the Intellectual Property Code of the Philippines. The work meets one of the following criteria: It is an anonymous or pseudonymous work and 50 years have passed since the year of its publication It is an audiovisual or photographic work and 50 years have passed since the year of its publication It is a work of applied art and 25 years have passed since the year of its publication It is another kind of work, and 50 years have passed since the year of death of the author (or last-surviving author) Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Philippine origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the Philippines, the URAA took effect on January 1, 1996.)

Official House of Representatives of the Philippines photo, from https://web.archive.org/web/20041101000000/http://www.congress.gov.ph/members/search.php?id=villarosa-ma This work is in the public domain in the Philippines and possibly other jurisdictions because it is a work created by an officer or employee of the Government of the Philippines or any of its subdivisions and instrumentalities, including government-owned and/or controlled corporations, as part of their regularly prescribed official duties; consequently, any work is ineligible for copyright under the terms of Part IV, Chapter I, Section 171.11 and Part IV, Chapter IV, Section 176 of Republic Act No. 8293 and Republic Act No. 10372, as amended, unless otherwise noted. However, in some instances, the use of this work in the Philippines or elsewhere may be regulated by this law or other laws.