Jerry Wexler

Fresh Air from WHYY, August 18, 2008 - The man who coined the term "Rhythm & Blues" died August 15 at the age of 91. Record producer Jerry Wexler began his career as a music journalist for Billboard magazine, then moved on to become a partner at Atlantic Records in the early 1950s before joining Warner Bros. in the 1970s. He was responsible for creating the careers of some of the greatest musicians of the time, including Ray Charles, Aretha Franklin and Led Zeppelin.

http://en.wikipedia.org/wiki/Jerry_Wexler

Gerald "Jerry" Wexler (January 10, 1917 – August 15, 2008) was a music journalist turned music producer, and was regarded as one of the major record industry players behind music from the 1950s through the 1980s. He coined the term "rhythm and blues", and was integral in signing and/or producing many of the biggest acts of the last 50 years, including Ray Charles, the Allman Brothers, Chris Connor, Aretha Franklin, Led Zeppelin, Wilson Pickett, Dire Straits, Dusty Springfield and Bob Dylan. Wexler was inducted in the Rock and Roll Hall of Fame in 1987. Jerry Wexler was one of the most highly regarded A&R men in popular music history, a status bolstered by his accomplishments with Aretha Franklin.

Contents [show] Early life[edit] Wexler was born in The Bronx, New York City, into a Jewish family, and grew up in the Washington Heights neighborhood of Upper Manhattan.[1] He graduated from George Washington High School (New York City) in Washington Heights at age 15 and dropped out after two semesters at City College of New York.[2] In 1935, Wexler enrolled at what is now Kansas State University and dropped out several times. Following his service in the Army, Wexler became a serious student, and he graduated from Kansas State, with a degree in journalism in 1946.[3][4]

Career[edit] During his time as an editor, reporter, and writer for Billboard Magazine, Wexler coined the term "rhythm and blues."[5] He became a partner in Atlantic Records in 1953. There followed classic recordings with Ray Charles, the Drifters and Ruth Brown. With Ahmet and Nesuhi Ertegün, he built Atlantic Records into a major force in the recording industry. In 1967 he was named Record Executive of the Year for turning Aretha Franklin's career around.[6]

In the 1960s, he notably recorded Wilson Pickett and Aretha Franklin, and oversaw production of Dusty Springfield's highly acclaimed Dusty in Memphis and Lulu's New Routes albums. He also cultivated a tight relationship with Stax Records,[7] was an enormous proponent of the then-developing Muscle Shoals Sound and founded the fortunes of Muscle Shoals Sound Studios and the Muscle Shoals Rhythm Section. His work in this decade put Atlantic at the forefront of soul music.[8]

In 1968, he and Ahmet Ertegun signed Led Zeppelin to Atlantic Records on the recommendation of singer Dusty Springfield and from what they knew of the band's guitarist, Jimmy Page from his performances with The Yardbirds.[9]

In 1975 Wexler left Atlantic Records for Warner Bros. Records.

In 1979, Wexler produced Bob Dylan's controversial first "born again" album, Slow Train Coming at Muscle Shoals; a single from that album, "Gotta Serve Somebody," won a Grammy award in 1980. When Wexler agreed to produce, he was unaware of the nature of the material that awaited him. "Naturally, I wanted to do the album in Muscle Shoals - as Bob did - but we decided to prep it in L.A., where Bob lived," recalled Wexler. "That's when I learned what the songs were about: born-again Christians in the old corral... I like the irony of Bob coming to me, the Wandering Jew, to get the Jesus feel... [But] I had no idea he was on this born-again Christian trip until he started to evangelize me. I said, 'Bob, you're dealing with a sixty-two-year-old confirmed Jewish atheist. I'm hopeless. Let's just make an album.'"

In 1983, Wexler recorded with UK pop star George Michael. The most famous outtake of these sessions would prove to be a rare early version of "Careless Whisper," recorded in Muscle Shoals.

In 1987 Wexler was inducted into the Rock and Roll Hall of Fame.[10] He retired from the music business in the late 1990s.

Movie portrayal[edit] In Ray, the biopic of Ray Charles, Jerry Wexler is portrayed by Richard Schiff.

Interviews and archive footage of Wexler are featured prominently in the 2000 documentary film Immaculate Funk, which explores the roots of the classic American R&B and soul music.

Death[edit] Jerry Wexler died at his home in Sarasota, Florida, on August 15, 2008, from congestive heart failure.[11] Asked by a documentary filmmaker several years before his death what he wanted on his tombstone, Wexler replied "Two words: 'More bass.’”[5]

most likely identical with

http://www.browsebiography.com/bio-jerry_wexler.html

https://de.wikipedia.org/wiki/Jerry_Wexler

http://openvault.wgbh.org/catalog/V_F30690FFD5A942E59788EF70354580A5

ג'רלד (ג'רי) וקסלר

' (באנגלית: Gerald "Jerry" Wexler;‏ 10 בינואר 1917 - 15 באוגוסט 2008) היה עיתונאי מוזיקה שהפך לאחד מהמפיקים המוזיקליים החשובים של המוזיקה הקלה בארצות הברית בשנות ה-60 וה-70. וקסלר עבד, בין היתר, עם ארית'ה פרנקלין, ריי צ'ארלס ובוב דילן. בשנת 1987 נבחר להיכל התהילה של הרוק אנד רול[1].

תולדות חייו וקסלר נולד למשפחה יהודית ברובע הברונקס, ניו יורק. הוא למד באוניברסיטת המדינה של קנזס, נשר מהלימודים וגויס לצבא ארצות הברית. לאחר מלחמת העולם השנייה המשיך בלימודיו וקיבל תואר בעיתונות ב-1946.

ככתב ועורך במגזין בילבורד, טבע את המונח "רית'ם אנד בלוז"[2]. בשנת 1953 התקבל כמנהל רפרטואר ואמנים בחברת התקליטים אטלנטיק רקורדס, והיה לאיש המפתח בחברה (לצד אהמט ארטגון) כאשר הפיק את אלבומיהם של ריי צ'ארלס, בובי דארין והדריפטרס בשנות ה-50 ושל וילסון פיקט ודאסטי ספרינגפילד בשנות ה-60. במיוחד סייע וקסלר לקרב אוכלוסייה "לבנה" למוזיקה ה"שחורה"[3]. בשנת 1967 החתים את ארית'ה פרנקלין לאטלנטיק ודאג להפיכתה לכוכבת. ב-1968 החתים לאטלנטיק את להקת לד זפלין אולם לא הפיק אותם.

ב-1975 עזב וקסלר את אטלנטיק ועבר לוורנר ברודרס. ב-1979 כאשר הכריז בוב דילן כי הוא "נולד מחדש" כנוצרי הפיק עבורו וקסלר את התקליט בעל האופי הדתי "Slow Train Coming", מבלי שידע על התכנים. בתגובה לטון המטיפני של דילן טען וקסלר שהוא מעריך את האירוניה שבדבר עריכת התקליט על ידי שני יהודים ושהוא עצמו "יהודי אתאיסט חסר-תקנה בן 62"[4]. שנה מאוחר יותר הפיק את אלבומו "Saved".

בשנת 1983 עבד וקסלר עם ג'ורג' מייקל (ש"עלה אליו לרגל" לאולפנו באלבמה) והפיק עבורו את הגרסה הראשונה ללהיטו "לחישה פזיזה", הפקה ממנה לא היה מייקל מרוצה בסופו של דבר. ב-1988 היה שותף להפקת אלבום האוסף המצליח של להקת דייר סטרייטס, "Money for Nothing". בשנות ה-90 חזר להפיק תקליטים עבור ריי צ'ארלס ואטה ג'יימס.

קישורים חיצוניים ארי קטורזה, נשמה שחורה , באתר ynet, 6 במרץ 2005 מאמר סיכום קריירה ארוך במגזין "סלון"

(באנגלית) ביוגרפיה באתר

Allmusic (באנגלית) ג'רי וקסלר , באתר "Find a Grave" (באנגלית) https://he.wikipedia.org/wiki/%D7%92%27%D7%A8%D7%99_%D7%95%D7%A7%D7...

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Fresh Air from WHYY, August 18, 2008 - The man who coined the term "Rhythm & Blues" died August 15 at the age of 91. Record producer Jerry Wexler began his career as a music journalist for Billboard magazine, then moved on to become a partner at Atlantic Records in the early 1950s before joining Warner Bros. in the 1970s. He was responsible for creating the careers of some of the greatest musicians of the time, including Ray Charles, Aretha Franklin and Led Zeppelin.

http://en.wikipedia.org/wiki/Jerry_Wexler

Gerald "Jerry" Wexler (January 10, 1917 – August 15, 2008) was a music journalist turned music producer, and was regarded as one of the major record industry players behind music from the 1950s through the 1980s. He coined the term "rhythm and blues", and was integral in signing and/or producing many of the biggest acts of the last 50 years, including Ray Charles, the Allman Brothers, Chris Connor, Aretha Franklin, Led Zeppelin, Wilson Pickett, Dire Straits, Dusty Springfield and Bob Dylan. Wexler was inducted in the Rock and Roll Hall of Fame in 1987. Jerry Wexler was one of the most highly regarded A&R men in popular music history, a status bolstered by his accomplishments with Aretha Franklin.

Contents [show] Early life[edit] Wexler was born in The Bronx, New York City, into a Jewish family, and grew up in the Washington Heights neighborhood of Upper Manhattan.[1] He graduated from George Washington High School (New York City) in Washington Heights at age 15 and dropped out after two semesters at City College of New York.[2] In 1935, Wexler enrolled at what is now Kansas State University and dropped out several times. Following his service in the Army, Wexler became a serious student, and he graduated from Kansas State, with a degree in journalism in 1946.[3][4]

Career[edit] During his time as an editor, reporter, and writer for Billboard Magazine, Wexler coined the term "rhythm and blues."[5] He became a partner in Atlantic Records in 1953. There followed classic recordings with Ray Charles, the Drifters and Ruth Brown. With Ahmet and Nesuhi Ertegün, he built Atlantic Records into a major force in the recording industry. In 1967 he was named Record Executive of the Year for turning Aretha Franklin's career around.[6]

In the 1960s, he notably recorded Wilson Pickett and Aretha Franklin, and oversaw production of Dusty Springfield's highly acclaimed Dusty in Memphis and Lulu's New Routes albums. He also cultivated a tight relationship with Stax Records,[7] was an enormous proponent of the then-developing Muscle Shoals Sound and founded the fortunes of Muscle Shoals Sound Studios and the Muscle Shoals Rhythm Section. His work in this decade put Atlantic at the forefront of soul music.[8]

In 1968, he and Ahmet Ertegun signed Led Zeppelin to Atlantic Records on the recommendation of singer Dusty Springfield and from what they knew of the band's guitarist, Jimmy Page from his performances with The Yardbirds.[9]

In 1975 Wexler left Atlantic Records for Warner Bros. Records.

In 1979, Wexler produced Bob Dylan's controversial first "born again" album, Slow Train Coming at Muscle Shoals; a single from that album, "Gotta Serve Somebody," won a Grammy award in 1980. When Wexler agreed to produce, he was unaware of the nature of the material that awaited him. "Naturally, I wanted to do the album in Muscle Shoals - as Bob did - but we decided to prep it in L.A., where Bob lived," recalled Wexler. "That's when I learned what the songs were about: born-again Christians in the old corral... I like the irony of Bob coming to me, the Wandering Jew, to get the Jesus feel... [But] I had no idea he was on this born-again Christian trip until he started to evangelize me. I said, 'Bob, you're dealing with a sixty-two-year-old confirmed Jewish atheist. I'm hopeless. Let's just make an album.'"

In 1983, Wexler recorded with UK pop star George Michael. The most famous outtake of these sessions would prove to be a rare early version of "Careless Whisper," recorded in Muscle Shoals.

In 1987 Wexler was inducted into the Rock and Roll Hall of Fame.[10] He retired from the music business in the late 1990s.

Movie portrayal[edit] In Ray, the biopic of Ray Charles, Jerry Wexler is portrayed by Richard Schiff.

Interviews and archive footage of Wexler are featured prominently in the 2000 documentary film Immaculate Funk, which explores the roots of the classic American R&B and soul music.

Death[edit] Jerry Wexler died at his home in Sarasota, Florida, on August 15, 2008, from congestive heart failure.[11] Asked by a documentary filmmaker several years before his death what he wanted on his tombstone, Wexler replied "Two words: 'More bass.’”[5]

most likely identical with

http://www.browsebiography.com/bio-jerry_wexler.html

https://de.wikipedia.org/wiki/Jerry_Wexler

http://openvault.wgbh.org/catalog/V_F30690FFD5A942E59788EF70354580A5