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  • Francesco Pisani (1517 - d.)
    It was designed by Andrea Palladio about 1552, for his friend Francesco Pisani, who was part of the Dal Banco arm of the family and whose father was a first cousin of Cardinal Francesco Pisani. Frances...
  • Veronese (deceased)
    Paolo Veronese (1528 – April 19, 1588) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at Cana and The Feast in the House of Levi . He adopted the name Pao...
  • cardinal Francesco Pisani, bishop of Padua (1494 - 1570)
    Francesco Pisani was an Italian Cardinal, born in Venice, the son of Alvise Pisani the noted banker, who was Procurator of S. Mark's, a member of the Council of Ten, and a Councilor of the Doge of Veni...
  • Andrea Palladio (1508 - 1580)
    Andrea Palladio (Italian pronunciation: [an%CB%88dr%C9%9B%CB%90a palˈlaːdjo]), born Andrea Di Pietro della Gondola , was an Italian architect active in the Venetian Republic. His nickname 'Palladio' be...

Villa Pisani (Montagnana)

in Montagnana, Padua, Veneto, Italy

The aim of the project is to connect the villa to its owners, families, important quests, and people who have had an influence on it. Please, join the project and add profiles.



The Villa Pisani is a patrician villa outside the city walls of Montagnana, Veneto, northern Italy.

Architecture

It was designed by Andrea Palladio about 1552, for Cardinal Francesco Pisani. Pisani was also a patron of the painters Paolo Veronese and Giambattista Maganza and the sculptor Alessandro Vittoria, who provided sculptures of the Four Seasons for the villa, which is in fact provided with fireplaces to dispel winter chill. Unlike more typical Palladian villas — and their imitations in Britain, Germany and the United States — the Villa Pisani at Montagnana combines an urban front, facing a piazza of the comune, and, on the other side, a rural frontage extending into gardens, with an agricultural setting beyond.

Unlike many of Palladio's villas in purely rural settings, it has an upper storey, set apart from more public reception rooms on the main floor; twin suites of apartments are accessed by twin oval staircases that flank the central recess on the garden side. On the exterior, little differentiation between floors is made: there is no obviously visible piano nobile. On the garden front, access to the park is from the central recessed portico only; a balustrade above a deep ditch keeps out informal wanderers.

Construction of the villa was under way by September 1553, and it was complete in 1555. The central block is an uncompromising rectangle, with a pedimented tetrastyle portico, Ionic over Doric, that has been sunk into its wall-plane so that the columns are embedded half-columns. On the garden front, the similar structure instead forms a screen across the fronts of a recessed portico surmounted by a loggia, which become in single recessed central feature. The Doric frieze runs uninterrupted round the building, further binding all elements together. There are no surviving autograph drawings related to this project. However, Palladio published a version of the building in his I Quattro Libri dell'Architettura. The woodcut shows an idealized, amplified form of the villa, in which the central block is flanked by arched gateway structures that end in tall, three-storey tower-like pavilions.

Conservation

In 1996 UNESCO included the Villa Pisani in the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". The villa continues to be in private ownership.

Influence on other buildings

The Hammond-Harwood House in Annapolis, Maryland was inspired by Palladio's designs for the Villa Pisani.

https://en.wikipedia.org/wiki/Villa_Pisani,_Montagnana

https://sites.google.com/site/thesurnamepisani/history/venice/pisan...